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•  Sabin 55624. Original printed paper front wrapper (only, and detached; back wrapper lacking); wrapper torn, with inked inscription in upper margin. Wrapper, title-page, and next four leaves gnawed by a rodent with loss to printed border of wrapper and a letter or two on the title-page — main text not affected. Pages creased, with some instances of light spotting.

Also contained here is the famous Oracula Magica Zoroastris cum Scolliis Plethonis et Pselli as edited by Johannis Opsopoeus.

•  STCN 168904; Brunet, II, 1465; Caillet 10165; Hoffmann III, 396; Landwehr, Hooghe, 72; Schweiger, I, 287 .   Contemporary half brown calf with mottled paper sides; spine with gilt-accented raised bands, red leather gilt label, and gilt devices in compartments; all edges interestingly marbled. Binding worn and top of spine pulled. Without the added engraved title-page, and a small, early paper repair on title-page; not a perfect copy, but certainly a decent one and priced accordingly.  (26691)

Signed binding: Contemporary half tan morocco with marbled paper–covered sides, spine with raised bands each accented above and below with single gilt rule and single black rule; gilt-stamped title, spine compartments framed in gilt with gilt dots in each corner and each with gilt center device. Front free endpaper stamped “Bound by Sangorski & Sutcliffe.” Top edge gilt; silk ribbon place marker.

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•  Binding as above, spine slightly sunned, corners and extremities showing minor rubbing. Front pastedown with private collector’s armorial bookplate. Pages clean.

•  Medina, Mexico, 9502; Palau 97721; Sabin 16551. Publisher's treed sheep binding, gilt spine extra, spine label mostly perished. All edges carmine. A very good copy.

The subject of this work is the rivalry between Spain and France for political and religious supremacy in the Catholic realm of Europe, but the author also discusses national traits, as he sees them, such as manner of dressing, walking, eating, and talking.

•  Palau 97802.   Recent boards covered with marbled paper; leather spine label gilt with title. Some lower margins irregular due to natural paper flaws. All edges speckled red. A very good copy.  (25812)

This edition is limited to 2,000 copies, was translated from the Spanish by Gregory Rabassa, and carries an introduction by Alastair Reid. The colophon page issigned by both Rabassa and Reid, and also by the illustrator Rafael Ferrer.

Rafael Ferrer, a native Puerto Rican, created eight full-page oil paintings and 25 in-text ink drawings, well reproduced here — plus a full-page original graphic, laid in at the back (i.e., not bound into the book) and most suitable for framing. Ferrer's images, with their bold lines and colors, often pack an emotional punch. His style belongs to the New Image school of painting, which bears the unmistakable influences of neo-expressionism, surrealism, and Dada.

Binding:  Three-quarter leather, stamped in gold on the spine, over straw-colored textured Chinese silk.

This offering includes the monthly newsletter.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 532.   Binding as above. Book clean and bright, in slipcase with small scrapes at the lower spine and at the mouth. Fine, in a near fine slipcase.  (21791)

Provenance:  Pencilled ownership inscriptions of W. G. Benton.

Rare in the first edition, with only one copy located via OCLC and none added by NUC Pre-1956.

•  Publisher's brown pebbled cloth, front cover and spine with gilt-stamped title; rubbed overall, edges darkened, spine extremities chipped. Front hinge (inside) cracked; front pastedown and free endpaper with pencilled ownership inscriptions; front fly-leaf partially excised. Light foxing variably throughout.  (24377)

The frontispiece portrays a small but elegantly composed octagonal structure, labelled “Theatrum Cutlerianum.”

•  ESTC T34564; Foxon G21; Wing (rev.) G273 (first ed.). Recent marbled paper wrappers, front cover with printed paper label. Two pages (not including title-page) stamped; one page with two pencilled corrections. Margins untrimmed and occasionally showing a few spots or light staining, pages otherwise quite clean.

The additional engraved title-page, done by P. Sluyter after a design by J. Groere, depicts the author at work on a moonlit night, and is decorated with medallions of Athena and her owl; the title-page is printed in red and black, with an engraved vignette of an Attic city.

Binding: Prize binding (without certificate) of contemporary vellum, covers framed and panelled in double blind fillets with gilt-stamped corner fleurons, gilt-stamped medallion on each cover showing a scimitar-wielding knight bearing two crossed keys on his shield, supported by monkeys and surmounted by lounging figures grasping snakes. Spine with gilt-ruled raised bands, gilt-stamped compartment decorations, and early inked title.

•  Brunet, II, 1524; Graesse, II, 46; Schweiger, II, 379.   Binding as above, small areas of discoloration, ties now lacking; front hinge (inside) very unobtrusively reinforced. Front pastedown with affixed slip of old cataloguing, partially obscuring an early inked annotation. Title-page with shadows of pencilled numeral and publication annotation. Some margins darkened or with mild spotting, pages otherwise clean, and all edges red.  (25963)

•  De Renne, II, 630; Parrish & Willingham 2777. Recent blue-gray boards. Old library stamps in some margins. A clean, tight copy.

Gerard's observations cover botany, linguistics, culture, and commerce, as well as geography. The area of his travels is depicted by an oversized, folding map of his own design.

•  NSTC 2G5453; Howgego, II, G7.   Contemporary brown cloth, spine with gilt-stamped title; rebacked and 95% of original spine reapplied, with the publisher's name at the foot of the spine chipped. Front pastedown and back of map each with institutional rubber-stamp (no other markings), front free endpaper with inked ownership inscription dated [18]49. Hinges (inside) reinforced. Last preface page with small inked annotation. Pages slightly age-toned; map with light offsetting and one short tear starting along fold, not touching image.  (24291)

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Not widely held:  ESTC, OCLC, Wing, and NUC Pre-1956 find only 10 U.S. institutional locations, one of which has now been deaccessioned.

In its way, a handsome little production, being very much in “the character of an old English” imprint of its era — complete with sidenotes, busy type ornamentation, and exuberant font variation.

•  ESTC R227244; Wing (rev. ed.) G589. On Geree, see: Oxford Dictionary of National Biography online.   Recent marbled paper wrappers. Pages clean and notably wide-margined.  (25007)

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•  ESTC R200633; Wing (rev. ed.) G603.   Recent marbled paper wrappers. Pages very slightly age-toned with one early inked marginal annotation, else clean and crisp.  (25024)

The present work opens with an oversized, folding view of the ruins of Persepolis, and includes a folding map of “Persia or iran” done by prominent engraver Samuel John Neele, as well as two small copper-engraved vignettes. The main text is given in Farsi and English on opposing pages; in addition to the portions of text taken from the Jahan-ara, Ouseley also provides “collateral illustrations from other manuscripts” (p. ii) and historical works. An errata slip is tipped in — this also, interestingly, containing instructions to the binder!

•  ESTC T97308; Lowndes 1741; Brunet, IV, 261; Allibone 1469.   Uncut copy. Publisher's paper shelf-back and plain boards, respined with similar paper; binding rubbed and soiled, spine head chipped, spine reinforcement with crack. Ex–social club: 19th-century bookplate, call number on endpaper, annotation on title-page covered over with slip of paper (pleasure and challenge of removal reserved for next owner), pressure-stamp on title-page. Frontispiece and map moderately waterstained, title-page with offsetting. Pages lightly age-toned, a few mildly foxed. Early inked corrections to a handful of words.  (26276)

The most striking feature of this piece is the first of the two plates, a lifelike portrait of the book’s subject engraved by Heinrich Wehymer after Antonio Davide. The other plate, an unsigned etching, depicts the statue of Our Lady of Consolation in the Augustinian church at Genoa. Also present is an engraved title-page vignette depicting the arms of Pope Benedict XIII, the work’s dedicatee, and there are a few initials and woodcut head- and tailpieces, the tailpiece on the last page being especially large and handsome.

This is apparently the sole edition of this biography, and it is rare: A search of OCLC, RLIN, and NUC Pre-1956 revealed no copies, and the Italian Library Service union catalogue lists only one holding, at the Central Library in Turin.

•  Vellum over paste boards with staining on front cover; pastedowns torn along turn-ins and puter edge of front free endpaper somewhat tattered. Lightly foxed throughout, a few pages more heavily so, with a light waterstain on the bottom edge and/or lower outer corner of most leaves (barely visible, on some). Small hole in outer margin of half-title and hole with tear (from a paper defect) in the margin of pp. 51–52. The second plate with two closed tears into the engraving, without loss. All edges mottled red and blue.

The work was additionally printed in Dublin and Basil in the same year. OCLC notes that a third volume was printed almost ten years later, by J. Murray; that supplementary volume is not present here.

Signed binding: Contemporary treed calf, covers framed in gilt rolls, beautifully rebacked with gilt-stamped spines preserving handsome original gilt-stamped, two-color leather title and volume labels, turn-ins with gilt rolls. Front pastedown of vol. I with binder's ticket: “Pigge Binders, Lynn.”

A charming silhouette of Gibbon serves as frontispiece to volume I.

•  ESTC T79696; Allibone 663; Brunet, II, 1586; Norton, Gibbon, 131.   Bindings as above with original leather showing some scuffs and abrasions; gilt on original spine labels a little (but a little only) dimmed. Hinges (inside) reinforced. Final page of each volume, back pastedown of vol. I, and title-page of vol. II institutionally rubber-stamped; no other such marks. Intermittent spots of light foxing. A lovely, wide-margined, archetypically “18th-century” quarto production for this quintessentially 18th-century writer.  (23770)

•  Sabin 27289; not in Goldsmiths'-Kress.   Publisher's blind-stamped textured cloth, spine with gilt-stamped title and pictorial vignette; binding cocked, extremities rubbed, spine sunned. Ex–social club library: call numbers on endpaper, front free endpaper excised, pressure-stamp on title-page, two other pages rubber-stamped, no other markings. Some plates with small areas of staining to margins.  (26638)

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•  ESTC R24103; Lowndes 888; Wing (rev. ed.) S6383 (noting the true publication date). On Gibson, see: Oxford Dictionary of National Biography online.   Recent quarter calf and marbled paper–covered sides, spine with gilt-stamped leather title and publication labels and gilt-stamped compartment decorations, leather edges tooled in blind. Lower (closed) edges and title-page recto and verso institutionally rubber-stamped; last page with affixed printed errata slip. Back fly-leaf with early inked annotation; text with a very few instances of inked bracketing in an early hand, pages otherwise clean. All edges speckled in red and brown.  (25422)

Binding: Publisher's blue straight-grain morocco, covers framed in gilt double fillets, front cover with gilt-stamped lyre vignette; spine gilt extra with musical motifs, gilt-stamped leather title and author labels. Board edges and turn-ins with gilt rolls. All edges gilt. In the original blue cloth slipcase.

•  Binding as above, spine slightly rubbed and sunned to a very even, attractive cocoa brown; slipcase faded, with minor shelfwear. Pages clean. A bright, beautiful volume.  (25896)

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•  Both in original wrappers, one (52) glossy and larger, one (45) smaller and “matte”; the larger one one with pencilled note on front cover.  (26154)

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•  BAL, VII, 147.   Publisher's green cloth, front cover stamped in black and gilt, spine with decorative gilt-stamped title; front cover with small areas of discoloration, head of spine with same extending onto back cover, slight rubbing. Ex–social club library: 19th-century call numbers on endpapers and back of frontispiece, with spots of show-through; title-page pressure-stamped, back endpaper with pocket and front ones with affixed paper slips. Front hinge (inside only) cracked; volume yet firm. A clean and pleasant copy for reading or study.  (26483)

•  Shaw & Shoemaker 10485. Contemporary speckled sheep, worn and abraded; back cover with slices to leather, title label on spine almost entirely rubbed away. One leaf torn; pages age-toned throughout, with staining/spotting. Back pastedown with calligraphy practice inked in an early hand.

•  Stapled in original printed cardstock, with decorative silk tassel. Darkening and dust-soiling, definitely more noticeable in person than the photos suggest on some monitors here; still a worthy souvenir.  (26059)

Rare in the U.S.: We trace only the Getty copy of this edition, and earlier editions are no less rare.

•  Landwehr, German Emblem Books, 317. Boards covered in music-printed paper from an 18th-century antiphonal, spine with gilt-stamped leather title and author labels. Engraved title and pp. 49/50 (emblem VII) lacking. Title-page and next leaf with long-ago repaired holes, one on the latter affecting an initial on the verso; title-page with old inked device(?) and 19th-century institutional stamp on verso, showing through in part to recto; a small hole in a third leaf, taking perhaps a letter or two. Final blank leaf and two other leaves also stamped. One leaf torn from margins into text, repaired with Japanese tissue. Pages slightly age-toned, some with mild foxing or the odd spot. Faults noted, this is yet a worthwhile and studyable/enjoyable volume.

•  Publisher's cloth, dust jacket, and contents as new. (6107)

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Held in most of the expectable libraries but currently uncommon in commerce.

•  Sabin 70769. Recent black moiré cloth, spine with gilt-stamped leather title-label. Title-page and several others rubber-stamped by a now-defunct institution. Pages clean.

•  A copy in lovely condition, imperceptibly rebacked with the original spine retained. Original wrappers bound in. Protected in a crimson morocco-edged slipcase.

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•  Publisher's teal cloth, front cover and spine with gilt-stamped title and decorative floral motifs; back cover and corners showing very slight scuffing. Back hinge cracked and front hinge starting; front free endpaper excised. Still, an attractive copy. (18393)

•  Cary 216. Printed wrappers. Collotype plates and illustrations. A fine copy. (17734)

•  Publisher’s quarter tan cloth over black paper–covered sides, front cover with black- and red-printed paper label, in original glassine dustwrapper; clean and unworn. An elegant book.

Provenance:  Vol. I title-page with inscription dated 1790, reading “Joseph Russells cost 10s a Vollume [sic]”.

•  ESTC T102429.   Contemporary treed calf, spines with gilt-stamped leather title labels; worn but sound. Bookplates of a now-defunct institution on front pastedowns. Some instances of offsetting and foxing, generally no more than moderate, with pages otherwise clean.  (8655)

Provenance:  Each volume's front fly-leaf (facing title-page) with inscription dated 1791, reading “John Humphrey, his book 1791 Price 10s”; each volume's pastedown with small bookplate of Richard McIlvain.

•  ESTC N2800.   Contemporary treed calf, spines with gilt-stamped leather title labels; worn, with all front covers and free endpaper of vol. IV detached. Some instances of light offsetting and foxing, with pages generally clean; some leaves chipped or with marginal tears, one tear causing loss of a few letters from a heading.  (14671)

•  Vollkommene: Jantz Collection, 3334. Neither work in Coumont, Demonology and Witchcraft.   Contemporary vellum over paste boards, with slightly yapp edges; all edges red. Text unmarked and untattered. A very nice pair of uncommon books.  (26955)

Over60 large woodcuts illustrate the text, with some images appearing in both sections. The volume concludes with several poems on the themes of life, death, and the afterlife.

Uncommon: We trace only nine copies in the U.S., all but one in libraries east of the Mississippi.

•  Fairfax-Murray, French, 108; Morin, Bibliothèque bleue de Troyes, 435; Nisard, Histoire des Livres Populaires, II, 303. Binding with minor scuffing at corners and old (good) repairs to head and foot of spine, with leather starting to crack over joints; hinges tender. Pages slightly age-toned, with signature marks shaved.

Handsomely printed, the volume begins with a fine engraved frontispiece opposite the title in black and red. Engraved head- and tailpieces appear in expected places; each page is heavily laden with printed notes.

•  Brunet 759; Schweiger, II, 328. Contemporary vellum over paste boards with blind-embossed center device on covers; that on front cover slightly loose due to a vandal’s attempt to excise it! Top of spine pulled (uncommon on a vellum-bound book); vellum soiled and binding a little sprung. Bookplate removed and glue residue visible on pastedown. The odd spot or small stain only; some light foxing and dust-soiling.

Binding: Tan calf, covers framed in gilt double fillets and gilt roll with gilt-stamped corner stars, central gilt-stamped coat of the Warre family arms; board edges with gilt roll, gilt inner dentelles, fine marbled endpapers. Spine with raised bands accented with gilt rolls and gilt-stamped floral decorations in compartments. All edges gilt. Signed by Spottiswoode & Co.

Provenance:  The preprinted presentation leaf, completed in manuscript, notes (in Latin) that the recipient was Crichton Jordan Milne and the donor headmaster was Edward Warre.

•  Binding damaged by old fire with spine label chipped nearly away, corners/edges abraded, and significant cracking/darkening of leather overall; still sound and indeed attractive. Interior very good, having been protected from that fire by the heavy gilt to the page edges which prevented smoke entry. Presentation leaf as above, with information dated 1905.  (12687)

•  ESTC T8304. Contemporary full calf, covers framed in blind using double fillets on three sides and a floral roll on the fourth; rebacked and corners redone at some point using lighter calf, gilt-stamped leather title label. Abraded and worn, with front hinge(inside) tender. Pages age-toned, some more so than others; yet the volume almost entirely free of spotting. (Our image is a bit distorted, above right — Nutt & Gosling could print in straight lines, and did!)

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RLIN and OCLC report only one holding of this item in the U.S.

•  Not in NSTC. Removed from a nonce volume, now in a Mylar folder; title-page and final blank lightly dust-soiled. Sewing mostly gone. Title-page with short tear from inner margin, not touching text; some leaves with small edge chips.

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for an enlargement.

Uncommon: ESTC locates only four copies, none of which are in the U.S.

•  ESTC T26238; Goldsmiths’-Kress 7877.5. Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Pages age-toned, with some dustsoiling.

•  NSTC ENG385. Recent paper wrappers. Title-page with rubber-stamped numeral and shadows of now-absent pencilled annotations. Three leaves with upper outer corners torn off and reattached/repaired without loss of sense. A few faint spots of foxing to title-page, otherwise clean. 

The author, a pastor and educator, was one of the most determined abolition activists in the United States; the DAB notes that while his dedication to the cause led to the closing of many doors in his career, his sermons on the subject “attracted wide attention,” contributing greatly to the catalyzing of American Christian opposition to slavery.

•  On Green, see: Dictionary of American Biography, VII, 539–40. Sabin 28512. Recent wrappers. Foxing throughout.

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The volume is illustrated with a total of 13 steel-engraved plates, including a frontispiece and two maps, most taken from drawings done by Charles McLaughlin, “a fellow prisoner.”

•  Howes G371; Sabin 28562; Streeter, Texas, 1581.   Publisher's speckled sheep, spine with gilt-stamped leather title-label; worn and stained, spine head reinforced with dark cloth tape extending onto boards. Ex–social club library: 19th-century bookplate on front pastedown, call number on front endpapers, rubber- and pressure-stamps on title-page. Plates variously lightly waterstained; folding map of Rio Alcantra with outer half torn away and edge tattered. Pages with minor age-toning and occasional stains.  (26394)

•  Not in Gottlieb, Early Children's Books & Their Illustration.   Publisher's quarter rose and ivory cloth, covers with title stamped in brown surrounded by green latticework, dust jacket lacking; binding darkened and spotted. Front free endpaper with small inked ownership inscription. Sewing starting to loosen; light offsetting from facing images occasionally noticeable; some pages with tears at inner margins; a good copy only — yet, still, a charming thing!  (27046)

There is a small separate section on Passover cookery; there is one on “invalid cookery”; and there are advertisements front and back that tickle in themselves.

•  Bitting 200.   Publisher's blue cloth, spine with gilt-stamped title; binding cocked, spine sunned, covers with spots of light discoloration. One upper outer page corner torn away, not touching text; index with one inked annotation. Pages age-toned with occasional small spots, mostly clean.  (26663)

•  American Imprints 1679; Allibone 2292.   Publisher's red cloth, faded and discolored, recently rebacked preserving original spine label and as much of original spine cloth as possible; spine label darkened with chip. Ex–social club library: 19th-century bookplate, pressure-stamp on title-page, no other markings. Page edges untrimmed; pages moderately age-toned, otherwise clean. In fact quite a decent copy.  (26382)

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The volume is illustrated with five steel-engraved plates and an additional engraved title-page.

Binding:  Contemporary maroon morocco, covers framed in gilt single fillet and blind-stamped with arabesque designs, spine with gilt-stamped title and gilt-stamped raised bands, board edges gilt-tooled, all edges gilt.

Provenance:  Front cover with gilt supra-libros of A.M. Pratt.

•  BAL 6681; Sabin 28893; Library Company, Afro-Americana, 4386 (for a much later edition); Allibone p. 745; Poe, “The Female Poets of America,” Southern Literary Messenger, Feb. 1849; .   Bound as above, spine and edges gently sunned; edges lightly rubbed. Front cover gilt-stamped as above. Pages slightly age-toned, with offsetting around plates and scattered spotting; plates with spots of foxing. A very nice copy.  (25126)

Brunet calls this a “belle édition, la seule où l'on ait donné l'élégante traduction de l'Anthologie par Grotius,” with the present example beinga particularly nice, wide-margined copy. Each engraved title-page has a vignette done by R. Vinkeles.

•  Brunet, I, 309; Schweiger, I, 31. Recent black moiré cloth, covers framed in blind rolls, spine with gilt-stamped leather title-labels. Vol. I with one signature separated. Title-page of vol. III with upper inner corner waterstained; scattered spots of light foxing to be noted, but in fact the whole very clean and nice. All edges marbled.

Both the first and this second edition are little held in the U.S.: We trace three copies of the first and three of the second, one of which has been deaccessioned.

Provenance:  Three 18th-century ownership inscriptions on title-page: Jehoua Portis, Lib. Richbach, and Joh[ann]is Buys. 19th-century pressure-stamps of a Pennsylvania theological library, deaccessioned.

•  Full modern calf old style: Spine with raised bands, accented with gilt beading and blind rules, rules extending onto boards to Vs and ending with trefoils; blind double fillets beyond. Gilt center device in each spine compartment and a green title label lettered in gilt. Waterstaining in inner margins, extending into text on pp. 136–61; otherwise, expectable age-toning only. All edges red.  (25847)

•  This ed. not in Brunet.   Contemporary vellum, spine with early inked title; vellum showing minor spots of discoloration and spine with call number. Front pastedown and bottom page edges with institutional rubber-stamp; back pastedown with stamp of a 19th-century Dutch bookseller; front fly-leaf with early inked annotation. First dedication leaf with inked numeral in lower margin; some instances of early inked underlining and marginalia, confined to early part of volume. First few leaves with light waterstaining to outer portions. First part skips pp. 1/2 (between preface and first text page), with this collation matching that reported online. (19564)

Grotius saw his book published for the first time in 1625 at Paris: It studies the legality of war and immediately established itself as a foundational work on the topic. Modern scholars regard it asfoundational in international law.

This edition contains added scholarship from Joannes Fredericus Gronovius (1611–71) and Jean Barbeyrac (1674–1744). In addition to De jure belli ac pacis the reader will find two other important Grotius tracts at the rear of the volume: Mare liberum and Libellus singularis de aequitate, indulgentia et facilitate, meaning the volume treats not just of law of war, but natural law, international law, maritime law, and law of the sea.

There are two issues of this edition, the other having “Ex Officina Wetsteniana” on the title-page in place of “Apud Janssonio-Waesbergio.” In both editions the title-page is printed in black and red, and of course, they have the same pagination. The work has side- and shouldernotes, an engraved portrait of Grotius, and an added engraved title-page.

•  Meulen & Diermanse (1950 ed), Grotius, 602.   Modern quarter claret-colored morocco with gilt-accented raised bands; gilt center device in each spine compartment. Marbled paper sides. Library pressure-stamps on title-page, no other markings; light age-toning and occasional spotting or foxing. A very nice copy with all edges decorated — more than “speckled,” not quite “marbled,” definitely attractive.  (26526)

No copy traced via OCLC.

•  Not in Banks. Not in Evans.   Original printed cloth–covered stiff wrappers. Fine.  (14756)

•  Sabin 29319; Howes G465.   Publishers' brown cloth very close in color but Boston's textured while New York's is smooth; covers framed in blind, spines with gilt-stamped author, title, and variant place information in parallel places and in typestyles not exactly matching but very close; corners rubbed, spine extremities chipped, spine heads with small strip of brown cloth tape, vol. I with binding very slightly cocked and cloth starting to split at front joint. Ex–social club library: call number on endpapers, rubber-stamp on title-pages and two others, no other markings. Front free endpaper of vol. I lacking. Pages slightly age-toned, otherwise clean and paper good.  (26252)

Binding: Publisher's brown suede, front cover with embossed Celtic designs, signed by Galwey & Co. of Dublin (with their ticket on the front pastedown).