•  Not in ESTC. Once sewn, now in a Mylar folder. Last leaf with closed tear partially repaired some time ago, costing or or obscuring a few letters to each line of about two paragraphs on either side of leaf. Age-toned, dust-soiled, creased.

•  Not in ESTC. Creased and dust-soiled, with a small hole in lower margin not touching text and a few pinholes within text. Tipped onto a leaf of 19th-century paper, now in a Mylar folder.

•  Creased and slightly dust-soiled but in overall good condition. Tipped onto a leaf of 19th-century paper; now in a Mylar folder.

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•  Wellcome Catalogue, IV, 412; Graesse, Trésor de Livres rares, V, 398; Alden & Landis 725/158; not in Sabin; ESTC T111989; Pritzel 7258n; Junersforgg & Hasenkamp, Coffee, 1177– 1179.   Recent full calf antique-style with gilt concentric panels on covers and gilt corner devices on same; round spine with raised bands, each accented by gilt rules. Some plates closely trimmed at foremargin. A very pleasing copy.  (21774)

Provenance: With the printed and folding ex-proemium of J.J.S. van Goltstein van Hoekenburg, Jan. 1819.

•  DeBacker-Sommervogel, VI, 976. Binding as above. All edges marbled. A very good copy; text block very slightly skewed in binding.

François Raymond Joseph de Pons (1751–1812) was archivist for the French Navy. This work also appeared in English, German, and Spanish editions; this is its first edition, and the sole French edition.

This contemporary file copy was retained in Rome and signed “S. Card. S. Susannae” (i.e., Cardinal Scipione Cobelluzzi, who was also at this time the Librarian of the Vatican Library).

•  Written in a very handsome italic on very good quality vellum. Light discoloration along lower edge, below the writing.  (26978)

Binding:  Contemporary red goat, framed in gilt floral tooling with crowned fleurons, covers stamped with center medallions of crowned monograms surmounted by herald angels. Supra-Libros —“Chapel Royal St James's.”  Board edges gilt-tooled. All edges gilt, with fore-edge painting as below.

•  ESTC T123146.   Binding as above, strongly rebacked with red morocco, spine with gilt-stamped leather title-label and compartments with gilt-stamped floral decorations; older portions with rubbing and a few small scuffs. Minor rubbing to page edge gilt and to fore-edge; pages gently age-toned with the odd faint spot. An altogether lavish little production.  (26522)

"Porta's system . . . leads him constantly to conclusions of analogies between plants, animals and men. Similar humours are found in various apparently unrelated organisms. Plants and animals that correspond in shape are interrelated. A leaf formed like a stag horn shares the character of the deer. The horse is a noble animal, therefore it is a sign of nobility to walk erect with the head held high. Men who resemble a donkey are like that animal: timid, stupid, nervous. He who looks like an ostrich is akin to it in character: he is timid, elegant, vicious, stolid. A man who reminds us of a swine is a swine, eating greedily and having all the other characteristics, such as rudeness, irascibility, lack of discipline, sordidness, lack of intelligence [and] modesty. In a similar way, men who look like ravens are impudent; those who resemble oxen are stubborn, lazy, irascible; men who have lips shaped like those of a lion are hearty, magnanimous, courageous; others who make us think of a ram are timid, malicious and humble. When practising medicine, Porta had many occasions to observe his patients, and to study their character and complexion; the results of this studious inquiry are laid down in his book." (Seligmann)

This work was written in Latin and first published in 1586 under the title De humana physiognomia. It saw 19 editions before 1701, and has been translated into Italian (1598; translation by Salvatore Scarano), German (1651), French (1655), and English (1817). This tenth Italian edition is replete with a large number of intriguing (and humorous) woodcuts. The first is a portrait of Porta, and, while some of the rest show anatomical figures, the vast majority contrast the shapes of faces and bodies of animals and men. The title-page vignette is of Aesculapius, the Greco-Roman god of healing.

Appended to Della fisionomia humana are the Fisionomia naturale of Giovanni Ingegneri († 1600), the Physionomia of Polemon (ca. a.d. 88 – a.d. 145) in an Italian translation, Porta’s Della celeste fisionomia (a repudiation of astrology), and two short related treatises by Livius Agrippa and Luigi Settala (1552–1633). Della celeste fisionomia has a number of interesting woodcuts showing pagan gods and constellations.

•  Seligmann, The History of Magic, 319. On physiognomy, see: Thorndike, History of Magic and Experimental Science, VII, 448 & following. On Porta, see: Webster’s New Biographical Dictionary 811. Vellum over paste boards, soiled and cockled with a little chipping and front joint opening. Ex-library: paper labels on spine and rubber-stamps, including one on title-page. Pages cockled with traces of soiling on top edges; a few edges bumped. Plates in very clear, strong impressions.

•  Goldsmiths'-Kress 27353.19; this vol. not in American Imprints.   Publisher's quarter red cloth and tan paper–covered sides, spine with printed paper label; binding lightly worn and faded, with paper chipped, spots of soiling, head of spine chipped and band of cloth tape extending across it. Ex–social club library: 19th-century bookplate, call number on endpaper, pressure-stamp on title-page. No other markings. Uncut copy; pages generally clean.  (26262)

Click the images for enlargements.

This volume, occasionally but not definitively attributed to Jean-Louis Barbeau de La Bruyère, is commonly known as the “Recueil d'Utrecht”; it appears here with a title-page printed in red and black.

•  Period-style deep brown calf, covers framed and panelled in gilt rolls with gilt-stamped corner fleurons, spine with gilt-stamped burgundy leather title-labels, gilt-ruled raised bands, and gilt-stamped compartment decorations. Light offsetting to first and last few leaves and scattered spotting, pages otherwise clean.  (27084)

Single-click images where the hand appears on
mouse-over, for enlargements.

Several sources, including Rodrigues, call this a "rare" publication.

•  Borba de Moraes (2nd ed.), Bibliographia brasiliana, I, 419; Maggs Bros., Bibliotheca brasiliensis, 231 (misstating the contents and failing to find it in Rodrigues); Rodrigues 698 "rare." On the Pombaline reforms, see: James Lockhart and Stuart Schwartz, Early Latin America: A history of colonial Spanish America and Brazil. Recent quarter red morocco with raised bands: Gilt beading on, and gilt ruling above and below, each band; gilt center-devices. Marbled paper sides and matching marbled endpapers. Contemporary numbering of the leaves in ink; some contemporary marginalia in ink. Nice.

•  Publisher's brown cloth, stamped in black and silver; front and spine with decorated with a frontier scene showing Conestoga wagons in a wilderness landscape with rising sun in the background. (We can't seem to get a photograph of this that doesn't "glare out.")  Bright with a few flecks of white (paint?). Spine slightly rubbed on joints and at head and base. Pages toned. Good+. (20739)

•  Publisher’s cloth, spine with gilt-stamped title (attractively oxidized); cloth rubbed at extremities, spine with small spot of faint discoloration from a now-absent label. Front pastedown institutionally rubber-stamped (no other markings). Erratum slip tipped in. A cleaner copy than most seen on the market.

This set includes two volumes of supplemental text, adding a number of entries. The first edition was followed by two volumes of supplemental plates, not present here and not called for: Graesse describes this edition as “sans grav.”

The pagination is erratic in a number of places; there is a numbering gap from 2342 to 2351 between vols. IV and V, but the text and signatures are uninterrupted.

Uncommon: OCLC locates only two U.S. institutional holdings of this second edition.

Provenance: Most volumes with small inked ownership inscription in an outer margin: “G.R.W.” the mark of William Rollinson Whittingham (1805–79), fourth Episcopal Bishop of Maryland and an enthusiastic book collector.

•  Brunet, IV, 851; Graesse, V, 429. Not in Sabin.   Contemporary half binding, recently rebacked with tan paper, spines with printed paper labels; boards rubbed and faded with small chips, one vol. with front cover waterstained. Foxing almost throughout, generally no worse than moderate; light waterstaining in upper margins of vol. I; one leaf in vol. VII with lower outer portion torn away, with loss of words from about 18 lines on each side. Vol. II with printer's error replacing pp. 1065–72 with duplicates of pp. 1057–64; pagination erratic in other places. Most vols. with ownership mark as above; vol. VI with one pencilled and one inked marginal annotation.  (25862)

The English and Dublin editions all give as the author on the title-page, “Practitioner in the law,” but the American editions omit it.

Uncommon in commerce.

•  Evans 13786; Hildeburn 3140; ESTC W21104.   Contemporary tan sheep, dry, joints cracked. Ex-library: call number on binding, bookplate on front pastedown, rubber- and pressure-stamps, pencilling on verso of title-page. Some spotting, not a great deal; a dried flower laid in. Now sporting a cranberry-colored paper jacket and housed in a red cloth clamshell case with cafe au lait-colored spine labels.  (24514)

Click the image for an enlargement.

The writer seems to have been Joseph Prentis (1785–1851), son of a Williamsburg merchant of the same name; it is difficult to identify him with absolute certainty, but Saunders is elsewhere recorded as having assisted in the administration of the estate of Joseph Prentis the elder.

•  Creased, with small spots of discoloration. Portion of upper and upper inner margins lost to hungry rodent, with loss of a number of words; one tear to the final leaf repaired some time ago with tape.

•  BAL 16346; Gardner P-7; Sabin 65272. Publisher’s blind-stamped cloth, spines with gilt-stamped titles; sunned and with small spots of discoloration, spines each showing traces of a now-absent shelving label. Front pastedowns each with private collector’s bookplate, institutional rubber-stamp, and speckled show-through of binder’s glue. Light to moderate foxing throughout.

Uncommon: OCLC and NUC Pre-1956 locate only four holdings, all in the U.S.

•  Publisher's printed paper wrappers, front wrapper with early inked inscription in upper portion; paper just starting at foot of spine. Age-toned, otherwise clean and fresh.  (25501)

The work was printed by several different hands, all in Wales, and one was a woman printer: Vol. I was done by George North of Brecknock, vol. II by Henry Hughes of Brecon, and vols. III and IV by Priscilla Hughes, also of Brecon and presumably heir to Henry. Vol. II opens with a hand-colored oversized, folding map.

In addition to the dedication page, and prefaces to the first, third, and fourth editions, these volumes also include “additional notes and essays, a collection of new tables, a history of the sinking fund, a state of the public debts in January 1783, and a postscript on the population of the kingdom.” First published in 1771.

•  ESTC T12986; Goldsmiths-Kress 12495.   Contemporary speckled sheep, spine with gilt-stamped leather title-label, edges of boards tooled in gilt. Joints cracked and weakly holding. Covers darkened along top and outer edges; leather lost on corners. Light foxing to a few early and later leaves, including title-pages; offsetting from leather affecting only first three and final three leaves, at edges. Each volume pressure-stamped on the title-page and one other page. Title-page rectos marked with small inked initials in upper right corner, versos rubber-stamped with a five-digit number. Penciled notation at bottom margin of p. xxx (vol. I). Now housed in a blue cloth clamshell box with gilt-stamped leather labels.  (24415)

The “Discourse for the Vindicating of Christianity from the Charge of Imposture” has a separate title-page dated 1722, but its pagination is continuous with the first work.

•  ESTC T138493.   Contemporary speckled calf, framed and panelled in blind with panel of contrasting calf decorated with blind roll and blind-tooled corner fleurons, rebacked with sympathetic calf, spine with gilt-dotted raised bands, gilt-stamped leather title-label, and blind-tooled compartment decorations; original leather showing minor acid-pitting with edges worn and rubbed. Ex–social club library: 19th-century bookplate, call number on endpapers, no other markings. Front free endpaper with upper outer corner repaired; browned, with offsetting to margins of first and last few leaves from turn-ins, yet not brittle.  (27101)

The twelve unsigned woodcut plates are full of energy both emblematic and artistic.

•  Publisher's quarter tan cloth with blue paper-covered sides; boards stained and chipped with paper peeling, all extremities rubbed, and paper spine label mostly lost. Front hinge cracked, back hinge starting. Front pastedown with institutional bookplate; title-page with private owner's stamp in upper margin and old cataloguing excerpt affixed to lower margin. Lower outer corners waterstained in first half; pages cockled, with occasional faint spotting; first text page with newsprint blurb about Priest affixed in upper margin. A compromised copy, but an extraordinary production; interesting from a variety of perspectives.  (15630)

The work was printed in Northumberland, Pennsylvania, where Priestley settled in 1782, when his liberal political opinions and defense of the French Revolution (in addition to his status as a nonconforming minister of questionable orthodoxy) obliged him to emigrate from England to the United States.

Provenance: Both title-pages inscribed by N. Irwin.

•  Shaw & Shoemaker 4912 & 7121. Recent quarter calf over marbled paper–covered sides, spines with gilt-stamped leather title and volume labels. Title-pages with faint impression of a once-pencilled shelf number; some leaves lightly foxed.

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This work was printed in Northumberland, Pennsylvania, where Priestley settled in 1782, his liberal political opinions and defense of the French Revolution (in addition to his status as a nonconforming minister of questionable orthodoxy) having obliged him to emigrate from England to the United States.

Provenance: Each title-page inscribed by N. Irwin.

•  Shaw & Shoemaker 2933 & 4913. Recent quarter calf over marbled paper–covered sides, paper darkened at edges and/or turn-ins on some volumes, most notably vol. IV; spines with gilt-stamped leather title and volume labels. Title-pages with faint impression of a once-pencilled shelf number; a few page edges slightly ragged; some instances of small spots of foxing, mostly in margins, and varying degrees of offsetting. Please note these are octavo values — they're substantial, but we think the photo may make them look a bit taller than they actually are.

So many and various are these illustrations that we SIMPLY couldn't decide which to photograph!

Click the images present, for enlargements.

Provenance:  Front free endpaper with inked ownership inscription dated 1943 and with rubber-stamp of Kanter's Magic Shop, a famed but now-defunct emporium in Philadelphia.

•  Publisher's gray-brown cloth without dust-jacket, front cover with black-stamped title and dummy vignette; spine very slightly darkened, edges and extremities with minor shelfwear. Front free endpaper as above. Pages age-toned. A nice copy.  (26622)

Dedicated to Jonathan Belcher, this first volume ends at the year 1630, with a note that the size of the undertaking had exceeded the expectations of both the author and the bookseller. The second volume did not appear until 1755, under the title Annals of New-England.

•  Sabin 65585; Evans 4068; Howes P615; ESTC W30371. On Prince, see: Dictionary of American Biography. Contemporary sheep, spine with gilt-stamped leather title-label; leather rubbed and scraped, with spine label chipped. Front pastedown with institutional stamp; front free endpaper and fly-leaf with pencilled notations. Title-page lacking; first (dedication) leaf with signature “[W?] Nathans” and two early inked inscriptions on text pages reading “Nath[.] Mason his book.” Pages browned, most heavily the first 50 pages; some other staining; a few leaves with short edge tears, in two cases touching text without loss. Sound, and still interesting reading.

•  NSTC 2P27024. On Prinsep, see: DNB. Removed from a nonce volume. Lightly age-toned. Traces of soiling and small inked numeral on title-page. A few instances of pencilled sidelining.

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The "Story of the Country-Mouse and the City-Mouse," Prior's satiric and politically motivated response to Dryden's "Hind and Panther," is not included, but the long pieces "Solomon on the Vanity of the World" and "Alma" are present. The "Life of Mat. Prior" in the first volume commences beneath a small engraved portrait.

Binding:  Later sprinkled calf, covers gilt-ruled with gilt inner dentelles, spines gilt extra with gilt-stamped leather title and volume labels. All edges saffron.

Provenance:  Both volumes with armorial bookplates of Sir Robert D'Arcy Hildyard.

•  On Prior, see: Dictionary of National Biography, 397–401. Leather cracking over joints with hinges tender; spine tips a little dry and pulled; upper and outer edges of all covers somewhat darkened; light wear to extremities. Light foxing to some pages. In fact a very handsome pair.

Binding/Provenance: Prize binding of contemporary vellum, covers framed and panelled in gilt rolls with gilt-stamped corner fleurons and gilt central vignette with the crest of the city of Amsterdam, spine with gilt-ruled raised bands and gilt-stamped decorations in compartments. The partially printed, partially inscribed, bound-in prize certificate reads “Ingenuo magnaeque spei adolescenti, Henrico Gerteler propter insignes in artibus humanioribus progessus, in classe tertia . . . Quod testor R. v. Ommeren [/] Gymnasii publici Amstelaedamensis Rector,” dated 1791.

•  Brunet, IV, 905; Dibdin, I, 385–86; Graesse, V, 460; Sandys, II, 455; Schweiger, II, 831. Binding as above, vellum slightly darkened, lacking ties; spine with gilt dimmed and traces of a now-absent label and inked call number at foot of spine. Lower edges with institutional rubber-stamp; title-page with shadow of a pencilled numeral. Front free endpaper with paper adhesions from a now-absent bookplate; back pastedown with rubber-stamp and small adhesion. Pages clean save for offsetting to upper margins of a few, from a laid-in slip.

•  Original paper wrappers, spine with hand-lettered paper label. Early inked owner’s inscription on front free endpaper; one early inked shouldernote. Some pages with faint hint of foxing, most clean. A very good copy.

Edmund Dulac created the book's enchanting illustrations, consisting of 10 full-page and six in-text watercolors, a two-color decorative title-page, and decorative head- and tailpieces, and initials, also in two colors. Ernest Ingham designed the book using a monotype Poliphilus font.

The binding is full Russian-red cloth with apolished brass design of a cockerel set in the front cover and a gilt-lettered title on the spine. This edition is limited to 1500 copies and this offering includes the monthly mailing notice.

•  Limited Editions Club, Bibliography of the Fine Books Published by The Limited Editions Club, 1929–1985, 205.   Binding as above. In a glassine wrapper with shallow edge tears and chips, contained within a chemise covered with Russian-red paper with gilt cockerel design with gilt-lettered spine; spine sunned and paper chipped. The whole in an unevenly sunned slipcase, with slight loss of paper to top edge at mouth and spine. A fine book, in a good+ slipcase.  (22314)

Provenance: The first work's title-page has “Ex dono Autoris” inscribed in the upper margin in an early hand.

•  Pycroft: ESTC T144698; Allibone 1712. Addenbrooke: ESTC T88427.   Recent marbled paper–covered boards, front cover with gilt-stamped leather title-label. Pycroft half-title lacking; title-page with annotation as above. Pages slightly age-toned, with light spotting to final leaves of Enquiry and throughout Essay. (20760)