The work was absolutely essential for all merchants and other business people, and for government workers in the treasury department — for milled coins were the exception in Mexican commerce, cob pieces the norm, and raw gold and silver, including dust, were extremely common.

The volume ends with the “Reglas varias, para sacar juntos, o separados en pasta, o en moneda los reales derechos, que se pagan a S. Mag. De el oro y de la plata, y para reducir a toda su ley estos metales.”

An uncommon economic work: We trace fewer than nine copies in the U.S.

This was printed by Doña Maria de Rivera with a red and black title-page, and with woodcut arms on first dedication page. The charming cut of a herald cherub appears after the decima dedicated to the author at the end of the preliminaries.

•  Medina, Mexico, 4073.   Contemporary full Mexican calf, modestly tooled in gilt and with all edges red; recased, new endpapers. Final two leaves little ragged at edges costing a few letters and with small hole at center and short tears at inner margin; old staining and age-toning/browning throughout. There is every indication that this well-produced little volume saw time “in the field”!  (26850)

Presented here is Berkeley's defense of revealed religion: It ranks as a major example of English literature and of American literature too, for he wrote it while living in America waiting for money for his projected university in Bermuda. “Alciphron, a set of dialogues located notionally in England, but drawing much of the landscape description from Rhode Island,” sold well and aroused controversy after his return to Britain. The New Theory of Vision is “a work of lasting importance in the psychology of perception[; it] was transitional between Berkeley's already informed interests in mathematics and natural philosophy and a growing independence of mind in metaphysics and epistemology” (both quotations from DNB on-line).

Provenance: “A. Thorpe – York” inscribed on title-pages.

•  ESTC T86056; NCBEL, II, 1852. Not in European Americana.   Contemporary sheep, spines with raised bands and gilt-stamped red leather labels; covers framed and paneled in blind-stamped triple fillets with blind-stamped corner fleurons; all edges red. Leather rubbed with some loss to corners, edges, turn-ins; vol. I with pulls at both spine extremities, small gouge to front cover, front joint opening with cover almost off. Old institutional bookplates and rubber-stamp to pastedowns, title-pages, and lower edges of closed volumes; ink ownership signature to title-pages as above and a few additional ink and pencil marks; some very scattered spots or staining with pages generally clean. (21366)

•  ESTC T37215. Tipped onto a leaf of 19th-century paper, now in a Mylar folder. Dust-soiling, creasing; repairs to tears in both leaves done some time ago, with some unrepaired closed tears resulting in loss of a few letters here and there.

•  19th-century yellow-green paper over cardboard with red paper spine labels lettered in black; abraded with some tears, especially to paper over spine. Interior clean, and all edges red.

•  ESTC N5425; Garrison-Morton 2199 (for first ed.). Contemporary speckled calf, spine with gilt-stamped title and compartment decorations; leather cracked and chipped on spine and joints, with minor rubbing to sides and edges. Front free endpaper with private collector’s rubber-stamp and inked name, front pastedown with small inked numeral. One front and one back fly-leaf excised. One leaf with short tear from outer margin just touching one letter; one leaf with paper flaw affecting a few letters without loss of legibility. Pages clean save for some age-toning and scattered iinstances of light staining to outer margins.

The typography is by the Royal Press and is handsome, employing roman and italic faces in a variety of point sizes. The text is presented in single and double-column format with finely engraved initials, and head- and tailpieces. The title-pages are printed in red and black with an engraved vignette.

Binding:  Contemporary treed sheep, covers framed in double gilt fillets, spines with gilt-stamped red leather label, gilt-ruled raised bands, and elaborately gilt-tooled floral decorations in compartments.   A most pleasing production!

•  Bound as above, covers with some cuts/abrasions, rubbing at corners and joints, surface cracks on spines; spines of vols. I and II with head and foot chipped. Front pastedowns with institutional bookplates; front free endpapers with early inked ownership inscriptions. Ex-library with old shelf labels to spines, and pressure-stamps (not rubber-stamps) including some on title-pages. All edges marbled, and marbled endpapers. Imposing.  (21444)

•  Brunet, I, 1122. Contemporary vellum, spine with inked title; spine and edges mildly dust-soiled. All edges speckled red and blue. Front pastedown with institutional rubber-stamp; front pastedown torn and back pastedown lifted away from cover. Pages clean.

•  ESTC T106709. Recent quarter calf over marbled paper–covered sides, spine with gilt-stamped leather title and author labels and with gilt-stamped decorative devices within compartments. Title-page and a few others stamped by a now-defunct institution; one page with offsetting to inner margin from a now-absent bookmark; volume otherwise clean and in fact a nice copy.