Click the interior image for an enlargement.

Provenance:  Signature of Philip Harwood on half-title.

•  ESTC T68112; Lowndes 780; Allibone 578.   Recent quarter calf and marbled paper–covered sides, spine with gilt-stamped leather title-label and blind-tooled compartment decorations. Half-title with early inked ownership inscription. Half-title, title-page, and last page institutionally pressure-stamped, title-page with inked numeral in lower margin. Pages slightly age-toned, otherwise clean.  (25088)

Signed binding: Front free endpaper stamped “Bound by R.W. Smith.”

•  ESTC T92186.   19th-century half morocco with marbled paper-covered sides, spine with gilt-stamped title; refurbished. Title-page with old institutional pressure-stamp; rear free endpaper with paper adhesion and tear as from removal of old “due” slip. All edges gilt. A few scattered light spots, occasional pencilled marginalia, pages otherwise clean. A nice copy.  (19510)

Also reported/canvassed are hot religious disputes at the University of Pennsylvania and “Carlisle” (Dickinson), with reference to (literal) iconoclasm at Cambridge colleges under the Protectorate ; a double execution in New-York; and minutes of the General Assembly (including a petition from residents of Germantown protesting “enormous” taxes, “an act to prevent the importation of convicts within this common wealth,” and several items having to do with insolvent debtors.

•  Unbound, as issued; edges tattered, pages creased, age-toned and foxed, with tears along one fold and scattered small holes, with loss of a few letters or words not affecting general sense. Two pages with large, early inked notations over text.  (24658)

Nicely printed, this is illustrated with an engraved frontispiece portrait of John Fellows, with the titles of some of his other works (see above) appearing beneath it; preliminary pages (8 pp.) consist of a dedication to the Rev. Mr. John Ryland of Northampton, and a preface. Stated at foot of title-page: “Price One Shilling and Six-Pence.”

Rare:  ESTC locates only two copies in the U.S., and this is one of them, now deaccessioned; and OCLC adds only the copy at Yale.

•  ESTC N39616; on Fellows, see: Edwin F. Hatfield's The Poets of the Church (New York, 1884), & Josiah Miller's Singers and Songs of the Church (London, 1869).   Recent quarter calf and marbled paper over boards; gilt-stamped leather spine labels, gilt-ruled raised bands, gilt rule where leather meets paper of covers. Title-page chipped at upper right corner, one leaf a little ragged at outer edge, another leaf repaired at outer margin. Pages overall clean, but with some random spotting and slight age-toning, including to title-page and frontispiece; light offsetting to title-page from facing plate. Ex-library with “no. 5" marked in blue crayon at the top of title-page; faintest traces of library call number on the verso; no other markings. Final three pages (pp. 94–96) mispaginated 118, 119, and 120. Handsome.  (24459)

Searches of OCLC, RLIN, and NUC Pre-1956 locate only three U.S. holdings.

•  VD17 23:237187N; Zedner, Hebrew Printed Books in the Library of the British Museum, 716. Recent marbled paper–covered boards, front cover with gilt-stamped leather author/title-label (“Panzi”). Pages age-toned, with mild offsetting.

Click either image for an enlargement.

Provenance: Signature of Jos. Walter on wrapper.

A scarce publication.

•  Evans 17310; Hildeburn 4072. 19th-century half brown sheep over marbled paper with gilt-lettered spine, original plain blue wrapper bound in; binding rubbed with front joint just starting. Ex-library copy with inked call number on front cover, bookplate on front pastedown, pencilled call number on verso of second front flyleaf, pressure-stamps, and rubber-stamps (including front wrapper and title-page, “Locked Section”). Title- and following leaf chipped in lower outer corner, repaired with paper; light foxing and spots of soiling, only. Inked ownership inscription as above, on front wrapper.

Regularly reprinted into the 19th century, the Token saw editions in Welsh and Gaelic.

•  ESTC W19733; Evan 28677. On Flavel, see: Dictionary of National Biography. Contemporary quarter sheep over brown paper covered boards, significant loss of paper and of edges of boards. Some shallow chipping, notable soiling, browning, and waterstaining (yet no difficulty reading text). A volume that’s been through a good deal, but is probably stable for quite a long while to come.

Evidence of readership: Occasional pencilled marginalia, including “Great chapter,” “Know,” and, in one case,the comment, “Voltaire again!”

•  ESTC W11665; Evans 17930.   Contemporary sheep, spine with raised bands and binding slightly sprung; leather cracking over spine and lost in small areas at corners, edges, and spine foot to insect damage or abrasion. Front free endpaper lacking; back free endpaper with inked inscription dated 1789. Pages browned and stained, with minute insect damage to blank areas (only) of first few leaves and with marginalia as above.  (14942)

•  Brunet, II, 1291 (for an 1810 ed. only, not citing this ed.). Contemporary speckled calf, spine gilt extra with gilt-stamped leather title-label; front joint entirely open with leather chipped along base of joint, spine leather and gilt rubbed in spots, corners bumped, small dent to outer edges. Front pastedown with private collector’s bookplate; front pastedown and free endpaper with institutional rubber stamp (no other markings). Pages faintly age-toned, else clean.

Binding:  Contemporary blue calf framed in gilt rolls with gilt-stamped corner fleurons, spine with gilt-stamped title and floral decorations, turn-ins with gilt dentelles, front cover gilt-stamped “C. Anderson.” All edges gilt.

Portrait: In addition to the personalized binding, this copy has the skillfully executed silhouette of a boy in a cap glued to the back of its title-page, opposite the contents.Is this Charles Anderson?

Provenance:  Charles Anderson.

•  NSTC 2S26587.   Binding as above, corners and spine extremities very slightly rubbed. Title-page with early inked inscription of Charles Anderson in upper margin. A beautiful little volume.  (22728)

•  Sternick 496.4 (describing binding as red).   Publisher's blind-stamped green textured cloth, spines gilt extra; bindings fresh and clean. Eight vols. of 12 present. Each volume with inked ownership inscription dated 1863 on front free endpaper. Pages slightly age-toned with occasional faint offsetting from illustrations, generally clean. A beautiful set, virtually as new.  (24423)

The title-page here, with its black-bordered and -accented text, is is a nice example of modest “mourning typography.”

Uncommon: OCLC and ESTC locate only two U.S. institutional holdings.

•  ESTC T119686 .   Disbound; sewing mostly perished, leaves separating. Edges slightly ragged and light soiling to margins.  (26247)

Click the images for enlargements.

•  Not in American Imprints (1839).   Contemporary speckled sheep, rebacked and rehinged some time ago with library brown tape; binding much worn and abraded, spine cloth with window cut to show original gilt-stamped title (covered with cellophane tape). Spine with institution's call number; front pastedown, first and last text pages, and all edges of closed book rubber-stamped. Pages foxed. (20025)

•  Palau 290780. Recent quarter red morocco over red cloth, spine gilt extra, red marbled endpapers, and top edge red. Clean, attractive interior.

•  Steineschneider, Catalogus Librorum Hebraeorum, 5085. Contemporary paste paper–covered boards, spine with hand-inked title label; binding rubbed and abraded, spine with stamped shelving number. All edges stained red. Front pastedown with 19th-century private collector’s bookplate.

Also contained here is the famous Oracula Magica Zoroastris cum Scolliis Plethonis et Pselli as edited by Johannis Opsopoeus.

•  STCN 168904; Brunet, II, 1465; Caillet 10165; Hoffmann III, 396; Landwehr, Hooghe, 72; Schweiger, I, 287 .   Contemporary half brown calf with mottled paper sides; spine with gilt-accented raised bands, red leather gilt label, and gilt devices in compartments; all edges interestingly marbled. Binding worn and top of spine pulled. Without the added engraved title-page, and a small, early paper repair on title-page; not a perfect copy, but certainly a decent one and priced accordingly.  (26691)

•  ESTC T22052.   Recent marbled paper–covered boards, front cover with gilt-stamped leather title-label. Pages clean. (20790)

Click the images for enlargements.

Not widely held:  ESTC, OCLC, Wing, and NUC Pre-1956 find only 10 U.S. institutional locations, one of which has now been deaccessioned.

In its way, a handsome little production, being very much in “the character of an old English” imprint of its era — complete with sidenotes, busy type ornamentation, and exuberant font variation.

•  ESTC R227244; Wing (rev. ed.) G589. On Geree, see: Oxford Dictionary of National Biography online.   Recent marbled paper wrappers. Pages clean and notably wide-margined.  (25007)

Click the image for an enlargement.

•  ESTC R200633; Wing (rev. ed.) G603.   Recent marbled paper wrappers. Pages very slightly age-toned with one early inked marginal annotation, else clean and crisp.  (25024)

Click the image for an enlargement.

Uncommon: OCLC, ESTC, Wing, and NUC Pre-1956 report only eight U.S. holdings, one of which has been deaccessioned.

•  ESTC R201234; McAlpin, II, 487; Wing (rev. ed.) G604.   Recent marbled paper wrappers. Title-page slightly darkened, last page with offsetting to margins, pages otherwise clean. Stubs of previous binding leaves visible at back.  (25017)

The most striking feature of this piece is the first of the two plates, a lifelike portrait of the book’s subject engraved by Heinrich Wehymer after Antonio Davide. The other plate, an unsigned etching, depicts the statue of Our Lady of Consolation in the Augustinian church at Genoa. Also present is an engraved title-page vignette depicting the arms of Pope Benedict XIII, the work’s dedicatee, and there are a few initials and woodcut head- and tailpieces, the tailpiece on the last page being especially large and handsome.

This is apparently the sole edition of this biography, and it is rare: A search of OCLC, RLIN, and NUC Pre-1956 revealed no copies, and the Italian Library Service union catalogue lists only one holding, at the Central Library in Turin.

•  Vellum over paste boards with staining on front cover; pastedowns torn along turn-ins and puter edge of front free endpaper somewhat tattered. Lightly foxed throughout, a few pages more heavily so, with a light waterstain on the bottom edge and/or lower outer corner of most leaves (barely visible, on some). Small hole in outer margin of half-title and hole with tear (from a paper defect) in the margin of pp. 51–52. The second plate with two closed tears into the engraving, without loss. All edges mottled red and blue.

Click the righthand image for an enlargement.

Provenance: Front free endpaper with early inked ownership inscription of Marianna Ungarelli; title-page with blurred heraldic pressure-stamp affixed.

•  Later quarter rough paper over marbled paper–covered limp boards; binding rubbed. Pages age-toned, with additional mild foxing.

Click the interior image for an enlargement.

•  ESTC R24103; Lowndes 888; Wing (rev. ed.) S6383 (noting the true publication date). On Gibson, see: Oxford Dictionary of National Biography online.   Recent quarter calf and marbled paper–covered sides, spine with gilt-stamped leather title and publication labels and gilt-stamped compartment decorations, leather edges tooled in blind. Lower (closed) edges and title-page recto and verso institutionally rubber-stamped; last page with affixed printed errata slip. Back fly-leaf with early inked annotation; text with a very few instances of inked bracketing in an early hand, pages otherwise clean. All edges speckled in red and brown.  (25422)

•  Shaw & Shoemaker 10485. Contemporary speckled sheep, worn and abraded; back cover with slices to leather, title label on spine almost entirely rubbed away. One leaf torn; pages age-toned throughout, with staining/spotting. Back pastedown with calligraphy practice inked in an early hand.

Rare in the U.S.: We trace only the Getty copy of this edition, and earlier editions are no less rare.

•  Landwehr, German Emblem Books, 317. Boards covered in music-printed paper from an 18th-century antiphonal, spine with gilt-stamped leather title and author labels. Engraved title and pp. 49/50 (emblem VII) lacking. Title-page and next leaf with long-ago repaired holes, one on the latter affecting an initial on the verso; title-page with old inked device(?) and 19th-century institutional stamp on verso, showing through in part to recto; a small hole in a third leaf, taking perhaps a letter or two. Final blank leaf and two other leaves also stamped. One leaf torn from margins into text, repaired with Japanese tissue. Pages slightly age-toned, some with mild foxing or the odd spot. Faults noted, this is yet a worthwhile and studyable/enjoyable volume.

Provenance:  Vol. I title-page with inscription dated 1790, reading “Joseph Russells cost 10s a Vollume [sic]”.

•  ESTC T102429.   Contemporary treed calf, spines with gilt-stamped leather title labels; worn but sound. Bookplates of a now-defunct institution on front pastedowns. Some instances of offsetting and foxing, generally no more than moderate, with pages otherwise clean.  (8655)

Provenance:  Each volume's front fly-leaf (facing title-page) with inscription dated 1791, reading “John Humphrey, his book 1791 Price 10s”; each volume's pastedown with small bookplate of Richard McIlvain.

•  ESTC N2800.   Contemporary treed calf, spines with gilt-stamped leather title labels; worn, with all front covers and free endpaper of vol. IV detached. Some instances of light offsetting and foxing, with pages generally clean; some leaves chipped or with marginal tears, one tear causing loss of a few letters from a heading.  (14671)

Over60 large woodcuts illustrate the text, with some images appearing in both sections. The volume concludes with several poems on the themes of life, death, and the afterlife.

Uncommon: We trace only nine copies in the U.S., all but one in libraries east of the Mississippi.

•  Fairfax-Murray, French, 108; Morin, Bibliothèque bleue de Troyes, 435; Nisard, Histoire des Livres Populaires, II, 303. Binding with minor scuffing at corners and old (good) repairs to head and foot of spine, with leather starting to crack over joints; hinges tender. Pages slightly age-toned, with signature marks shaved.

For a dedicated DANCE
of DEATH gathering, 
click here.

Click the image to the left
for an enlargement.

Uncommon: ESTC locates only four copies, none of which are in the U.S.

•  ESTC T26238; Goldsmiths’-Kress 7877.5. Recent marbled paper–covered boards, spine with gilt-stamped leather title-label. Pages age-toned, with some dustsoiling.

The author, a pastor and educator, was one of the most determined abolition activists in the United States; the DAB notes that while his dedication to the cause led to the closing of many doors in his career, his sermons on the subject “attracted wide attention,” contributing greatly to the catalyzing of American Christian opposition to slavery.

•  On Green, see: Dictionary of American Biography, VII, 539–40. Sabin 28512. Recent wrappers. Foxing throughout.

•  Publisher's cloth with dust jacket. New. (5926)

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Both the first and this second edition are little held in the U.S.: We trace three copies of the first and three of the second, one of which has been deaccessioned.

Provenance:  Three 18th-century ownership inscriptions on title-page: Jehoua Portis, Lib. Richbach, and Joh[ann]is Buys. 19th-century pressure-stamps of a Pennsylvania theological library, deaccessioned.

•  Full modern calf old style: Spine with raised bands, accented with gilt beading and blind rules, rules extending onto boards to Vs and ending with trefoils; blind double fillets beyond. Gilt center device in each spine compartment and a green title label lettered in gilt. Waterstaining in inner margins, extending into text on pp. 136–61; otherwise, expectable age-toning only. All edges red.  (25847)

•  This ed. not in Brunet.   Contemporary vellum, spine with early inked title; vellum showing minor spots of discoloration and spine with call number. Front pastedown and bottom page edges with institutional rubber-stamp; back pastedown with stamp of a 19th-century Dutch bookseller; front fly-leaf with early inked annotation. First dedication leaf with inked numeral in lower margin; some instances of early inked underlining and marginalia, confined to early part of volume. First few leaves with light waterstaining to outer portions. First part skips pp. 1/2 (between preface and first text page), with this collation matching that reported online. (19564)