There are two states of this edition; in the present state p. 1 has the words “Introductory dialogue” set in solid roman capitals, and the first line of the poem reads “Father Time! ’tis well we are met” rather than “Father Time! ’tis well we’re met.” The paper in vol. I is watermarked with the dates 1813, 1814, and 1815, while in vol. II the watermarks are 1814 and 1815.

Binding: Signed binding by Riviere & Son: 19th-century mottled calf, covers framed in gilt triple fillets with gilt rosettes at corners; round spines with raised bands, the whole gilt extra with gilt-stamped leather title and author labels; double-rule gilt fillets on board edges; gilt inner dentelles. All edges gilt.

•  Abbey, Life, 263; NSTC 2C32764. Bindings as above, carefully and neatly rebacked preserving original spines, corners and joints showing slight wear. Vol. I with short edge nicks to upper margins of two leaves, not touching text; last few leaves and plates of vol. II with small area of light staining to outer margins, not touching text and not obtrusive in images. A beautiful set.

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Binding: Signed binding by Riviere & Son: 19th-century mottled calf, covers framed in gilt triple fillets with gilt rosettes at corners; round spines with raised bands, the whole gilt extra with gilt-stamped leather title and author labels; double-rule gilt fillets on board edges; gilt inner dentelles. All edges gilt.

•  Abbey, Life, 264. Tooley 410;.NSTC 2C32763. Binding as above, neatly rebacked preserving original spine, showing only very minor traces of wear. Without the advertising leaf. Some faint offsetting and spotting surrounding plates, otherwise clean.

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•  On Dagley, see: Dictionary of National Biography. Contemporary half red morocco over marbled paper–covered sides, spine with gilt-stamped title; binding rubbed and scuffed overall, but sturdy. Shadows of occasional pencilled marks of emphasis; many plates moderately to significantly foxed, as well as some pages. Two leaves with short tear into upper margin, not touching text.

Over60 large woodcuts illustrate the text, with some images appearing in both sections. The volume concludes with several poems on the themes of life, death, and the afterlife.

Uncommon: We trace only nine copies in the U.S., all but one in libraries east of the Mississippi.

•  Fairfax-Murray, French, 108; Morin, Bibliothèque bleue de Troyes, 435; Nisard, Histoire des Livres Populaires, II, 303. Binding with minor scuffing at corners and old (good) repairs to head and foot of spine, with leather starting to crack over joints; hinges tender. Pages slightly age-toned, with signature marks shaved.

Binding:  19th-century crushed half black levant morocco over black and white marbled paper; binding signed on verso of front free endpaper, but stamp mostly indecipherable. Spine with raised bands, gilt above, below, and on each; gilt-tooled skull and crossbones in three compartments, a flame in two others, and author and title in the remaining one. Gilt rule where the half leather meets the marbled paper on each cover. Green and red French swirl marbled endpapers. Silk ribbon place marker. All leaves tipped to stubs. Uncut copy.

•  Warthin, The Physician of the Dance of Death, pp. 79–80; NSTC B3545.   Binding as above. Joints and edges of covers lightly rubbed; top of front joint just starting. Age-spotting on pages and plates, generally light; some off-setting from the plates. Bookseller's catalogue description clipped and pasted to front pastedown. Dealer's letter pasted to rear pastedown. Two uncalled-for plates.  This is a pleasing, better than “decent” copy priced well below excellent ones in contemporary bindings.  (25933)

Click the interior image for an enlargement.

We find only two U.S. locations and a copy at the British Library.

•  Publisher’s printed paper wrappers; edges nicked, paper split and chipping along spine, text block cracked. Front pastedown with institutional bookplate. Lower margins of title-page and preface waterstained, inner margin of frontispiece waterstained; upper margin of title-page with portion torn away. Some plates lightly foxed or browned, one with waterstaining in lower margin. Pages untrimmed. One’s sense is that this was USED as a guidebook!

Binding:  Prize binding from King Edward VI's School: Contemporary walnut-brown calf, framed and panelled in blind double fillets with blind-stamped corner crosses and gilt-stamped English Royal coat of arms (with the quarter of France and dragon supporter) as central medallions; spines with gilt-stamped leather title-labels and blind-stamped crosses in compartments.

Provenance: Front fly-leaf of vol. I with inked inscription dated 1863, noting this set's presentation to R.K. Rodwell as an “Extra Prize for the best English Essay.”

•  NSTC 2T3717.   Bound as above, spines and extremities rubbed. Endpapers and frontispiece lightly spotted. All edges stained red.  (21923)

Binding:  Publisher's green cloth with textured covers; spine stamped and lettered in gilt. Front cover stamped in gilt with a frame with corner brackets; a very large oval center medallion shows an angel with harp posed between a broken pediment and an hour glass on a closed book, all flanked by weeping willows. Rear cover stamped in blind with same decorative elements. All edges gilt.

•  Sabin 83734.   Binding modestly rubbed, with spine faded and its gilt dimmed; cover gilt in parts “gone to copper” rather attractively. Scattered foxing; several sorts of spotting/staining, darkest stains in upper margins. Overall, a beautiful book in a better than decent copy.  (26863)