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LITERATURE
A-B
C-D
E-H I-L
M-Q
R-T U-Z
La Crème de la Crème of
French Cookery in English
Ude, Louis Eustache. The French cook, a system of fashionable and economical cookery, adapted to the use of English families ... tenth edition, corrected and enlarged, with an appendix of observations on the meals of the day... London: John Ebers & Co., 1829. 12mo (19.5 cm, 7.7"). Frontis., lxxii, 485, [3] pp.; illus.
$800.00
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Formal French cuisine laid out for an English audience by the celebrated Monsieur Ude, who cooked for Louis XVI, the Earl of Sefton, and the Duke of York. This classic
cookbook, groundbreaking in its day, was first published in 1813 and is here in its tenth edition, with a frontispiece portrait of the author engraved by A. Deane after a Maclise drawing, and nine
pages depicting bills of fare as they should be arranged at table. The work is peppered liberally with French terms (of which a vocabulary is provided) and with elaborate techniques that seem
likely to have been in use in the most elegant kitchens (but not necessarily beyond the reach of less elite aspirants); Byron swiped the names of many of Ude's dishes for use in canto 15, stanzas
62–74 of “Don Juan,” and indeed two of Ude's suggested course progressions for stanza 63 (see p. 426).
Bitting 471; Cagle 1037 (for first ed.); Hazlitt 167; Oxford 142. 20th-century half scarlet morocco and marbled paper–covered sides, spine with gilt-stamped title and raised bands ruled in black and gilt; spine slightly sunned and minor shelf wear (only) to edges and corners. Top edge gilt. Frontispiece and first two leaves with old waterstaining to lower inner margins, and frontispiece browned; pages otherwise only very faintly age-toned, with scattered light spotting.
A solid, generally clean, and definitely attractive copy. (26609)
Valdés, Rodrigo de. Poema heroyco hispano-latino panegyrico de la fundacion, y grandezas de la muy noble, y leal ciudad de Lima. Obra postuma. Madrid: En la Imprenta de Antonio Roman, 1687. Small 4to (20 cm; 8"). §4–§§§§§§§4 a–g4 A–Z4 Aa4; [56] ff., 184 pp,
[4] ff.
$2875.00
Click either image above
for an enlargement.
In this epic poem, Valdés (1609–82), a Peruvian-born Jesuit, tells in 572 quatrains of the founding, growth, and grandeur of the city of Lima. The poem is divided in “arguments” and the text is accompanied by extensive sidenotes of a comparative and explanatory nature. Included as part of the forematter is a life of Valdés by Father Francisco del Quadro (leaves a–g4). In addition to his calling to the priesthood, Valdés felt strong attractions to history and poetry; he acted on all three impulsions.
The poem was left unpublished at the time of the author’s death and Francisco Garabito de León Messía saw to its publication.
Palau 347681; Medina, BHA, 1806; European Americana 687/140; DeBacker-Sommervogel, VIII, 376–77. Recased in old vellum. A very good copy.
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Valois, Adrien de. Valesiana ou les pensées critiques, historiques et morales, et les poesies latines .... Paris: Chez Florentin & Pierre Delaulne,
1695. 12mo (15.5 cm, 6.2"). Frontis., [30], 234, [10], 88 pp.; 2 fold. plts.
$250.00

Early, pirated edition, following the first of 1694: Critical and literary extracts from the writings of a prominent historian and scholar of the Middle Ages (also known as Hadrianus Valesius), the brother of equally distinguished
scholar Henri de Valois. The collection was edited by the author’s son, numismatist Charles de Valois.
Click the interior image for an enlargement.
The present example is a fictitious imprint, printed in Amsterdam and counterfeiting the Parisian edition of the same year (actual place of printing from NUC Pre-1956 628:472, cf. E. Weller, Die falschen und fingierten Druckorte, II, 57). The volume’s two folding, engraved plates (unsigned) depict antiquarian coins and medals, while the mythologically inspired frontispiece includes a portrait of de Valois.
Later half sheep with speckled paper–covered boards, rebacked with speckled calf preserving original gilt-stamped leather title-label; sides and edges scuffed, with leather chipped at corners. Front pastedown with 19th-century
private collector’s bookplate, partially chipped; preface with numeral inked in lower margin. Pages crisp and clean. All edges stained red.
Vanière, Jacques. Praedium rusticum. Editio nova longè auctior & emendatior. Tolosæ: Petrum Robert, 1742. 12mo (17.3 cm, 6.8"). [4] ff., 319, [7 (index)] pp.
$350.00
Attractive edition of the Jesuit Vanière's agriculturally themed neo-Latin poetry, originally published in 1696. This printing features woodcut headpieces, along with decorative capitals and a title-page vignette. Goldsmiths’-Kress 7892.2; DeBacker-Sommervogel, VIII, 444. Contemporary speckled calf, spine gilt extra with gilt-stamped leather title-label; binding scuffed and rubbed, with leather cracking over joints and spine extremities chipped. All edges speckled red. Front free endpaper and fly-leaf partially affixed to front pastedown; front pastedown with inked initials. Pages beautifully clean.
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Illustrated Verne Classic
Verne, Jules. Twenty thousand leagues under the sea. New York: Charles Scribner's Sons, 1933. 4to. [10], 406, [2] pp.; 4 col. plts.
[SOLD]
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Handsome edition from the Scribner Series of Illustrated Classics for Younger Readers, illustrated by W.J. Aylward with four color half-tone plates.
Publisher's black cloth, front cover with affixed color half-tone illustration, spine with gilt-stamped title, terrific endpapers (pictured above), dust jacket lacking; corners and spine extremities slightly rubbed. Last few signatures unopened; if this was read, the reader didn't learn how it came out!
A clean copy of a striking edition. (26069)

French Symbolism in
Ornate Dress
Villiers de L'Isle-Adam, Auguste, comte de. Histoires souveraines. Bruxelles: Edmond Deman, 1899. 8vo (26.4 cm, 10.4"). 367, [5] pp.; illus.
$350.00
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First edition of this collection of tales from an important French poet identified with the Symbolist movement and known for his fascination with the occult. The volume was edited and published posthumously by friends of the author; it is decorated with an elegant Art Nouveau title-page and head-and tailpieces, designed by Theo Van Rysselberghe and printed in sage and hunter green. Allegedly only 60 copies were printed, 50 on papier du Japon and 10 allegedly on Hollande Van Gelder paper; however, more institutional holdings than that are reported, and virtually all copies on the market and in institutional holdings lay claim to being one of the 10 Hollande printings. The present example is unnumbered, and printed on Japanese laid paper.
Binding: Contemporary quarter garnet red morocco with fawn brocade–covered sides, spine gilt extra with title and arabesque motifs. Original green wrappers bound in.
Caillet, Manuel bibliographique des sciences psychiques ou occultes, 11198. Binding as above, spine faintly sunned and with one small spot darkened; joints a bit rubbed and cloth corners/edges somewhat moreso, with instances of spotting/discoloration to cloth that should be mentioned but are not obtrusive. Front pastedown with attractive 20th-century bookplate. Some signatures unopened.
A lovely book in quite a nice copy. (26821)

Based on
the Didot Folio Edition 1798
Virgilius Maro, Publius (a.k.a.
Virgil a.k.a. Vergilius Maro). Publius Vergilius Maro. Bucolica, Georgica et Aeneis. Londini: apud A. Dulau & Co. (T. Bensley, printer), 1800. 8vo (23.5 cm; 9.25"). I: [2] ff., 246 pp., 7 plates. II: [2] ff., 276 pp., 7 (of 8) plates.
$700.00
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Reprint of Didot's folio edition, Paris, 1798, with plates here engraved by Bartolozzi, Fittler, Sharp, and Neagle and copied from those of Gerard and Girodet in the Paris edition. The plates are distributed one to each book of the Aeneis, one to the Bucolica, and two to the Georgica.The work was issued in quarto and octavo format, both handsomely printed by Bensley.
Brunet, V, 1294; Graesse, VII, 344–45; Schweiger, II, 1181. Contemporary straight-grained morocco, neatly rebacked with good lettering; board edges with a gilt rule and somewhat rubbed. Lacking the single plate at the front of Book X of Aeneis. All edges gilt. (26757)

The Great New Testament Epic
Wallace, Lewis. Ben-Hur a tale of the Christ. New York: Harper & Brothers, (© 1880). 8vo (17.5 cm, 6.9"). 552, 12 (adv.) pp.
$200.00
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First edition, later issue of this best-selling novel, one of the classic works of historical fiction. This is the third state, with the “To the wife of my youth” dedication page, no date on the title-page, and advertisement list beginning “The Octavo Paper Novels in this list . . .”
BAL 20798; Grolier, American 100, 82; Russo & Sullivan, Bibliographical Studies of Seven Authors of Crawfordsville,Indiana, 315–17; Wright, III, 5720. Publisher's textured brown cloth with bevelled edges, spine with gilt-stamped title; binding slightly shaken, edges and extremities rubbed, sides with spots of discoloration. Hinges (inside) tender. Ex–social club library: 19th-century bookplate on front pastedown, title-page pressure-stamped, dedication page with inked numeral, back free endpaper with slip. Front free endpaper with faint early inscription, front fly-leaf with inked ownership inscription. Pages age-toned; a few leaves with light staining, most clean. (26381)
A
Gift, Perhaps?
Watson, William, ed. Lyric
love: An anthology. London & New York: Macmillan & Co., 1892.
8vo. xxii, 238, [2] pp.
$20.00
Collected love poems from the great names of English literature, gathered in sections with themes like "Love's Tragedies," "Love and Nature," "Chivalric Love," and "Love with Many Lyres." The engraved title-page vignette shows three cupids at play. Blue publisher's cloth, spine with simple gilt-stamped rules and title, front cover with gilt-stamped "GTS" device (for the Golden Treasury Series). With an 1896 gift inscription on half-title. Pages gently age-toned. (5538)
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Ballad Broadside
Waugh, Edwin. Broadside. [drop-title] "Come 'Whoam' to thi' childer an' me." No place [Lancashire?, England]: , no date [1890]. Narrow folio (27.8 cm, 11'). [1] p.
$40.00
Handsomely printed copy of Waugh's most famous poem, meant to be framed. Waugh was the son of a shoemaker in Rochdale and was one of the most successful of the Lancashire dialect poets of the 19th century. One crease in the lower margin, below the bottom of the decorative border. (8269)
Single-click the image, for an enlargement.
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Wharton,
Edith. American and British verse from the Yale Review. New
Haven: Yale University Press; London: Hymphrey Milford, Oxford University Press,
1920. 8vo (19.5 cm, 7.75"). 52, [2] pp.
$100.00


First edition, with a foreword by John Gould Fletcher. This volume includes poems by Stephen Vincent Benét, Robert Frost, Siegfried Sassoon, and Sara Teasdale, along with Edith Wharton’s “In Provence.”
Garrison B15. Publisher’s printed paper–covered boards, darkened, most notably over spine. Front free endpaper with pencilled owner’s name. Pages slightly age-toned.
Wharton,
Edith. Ethan Frome. London: Macmillan
& Co., 1912. 8vo (18.8 cm, 7.4"). [2], 195, [1 (blank)] pp.
$500.00

Early U.K. issue of the first edition of one of Wharton’s most widely read novels, though possibly not the most representative of her works; critically acclaimed from its first appearance in 1911, Ethan Frome has been in print continuously ever since, and has become a staple of the Western literary canon. This printing has a cancel title-page dated 1912 instead of 1911, and is the first English printing to incorporate several text corrections as described by Garrison, but is otherwise identical to the Scribners issues of 1911, and shows the expected type batter in “wearily” on p. 135, line 21.
Garrison A.19.1.f. Publisher’s cloth, front cover and spine stamped in gold; lacking the very scarce dustjacket, with spine sunned, and cloth wrinkled over lower portion of back cover. Pages clean.
Wharton, Edith. French ways and their meaning. New York & London: D. Appleton & Co., 1919. 8vo (19.2 cm, 7.5"). xi, [3], 149, [1] pp.
$200.00


First edition, first printing, American issue: Wharton’s analysis of the differences between the French and American psyches, prompted by the nations’ interactions during and after World War I.
Garrison A28.I.a. Publisher’s green cloth, front cover stamped with a French country scene in white, red, and gold, spine with gilt-stamped title; original box lacking, cloth a bit rubbed over corners and spine extremities, with spine title dimmed. Front free endpaper with inked owner’s inscription dated 1919. Faint waterstaining to outer margins of pp. 21–35.
Wharton, Edith. The gods arrive. New York & London: D. Appleton & Co., 1932. 8vo (20 cm, 7.9"). [6], 431, [1] pp.
$300.00
First edition, first issue (binding A, jacket A), with printing
code (I) on p. 432, of the last novel Wharton completed before her death in
1937. A sequel to Hudson River Bracketed, The Gods Arrive continues
Wharton’s exploration of conventional morality regarding marriage and
relationships, and offers an examination of the writer’s life.
Garrison A45.1.a, binding A, jacket A. Publisher’s blue
cloth, front cover and spine stamped in gold, in original printed paper dustwrapper
with price; binding clean and unworn save for minor wear to spine extremities,
dustjacket with cream portions slightly darkened and small edge nicks to front
panel and spine.



BIBLICAL PARODY Nasty & Still
at Points Shocking
[White, Richard Grant]. The new gospel of peace according to St. Benjamin. New York: Sinclair Tousey, 1863, 1863, 1864. 3 vols. 12mo. I: 42, [2 (1 blank)] pp. II: 48 pp. III: 47, [1 (blank)] pp.
$200.00
First edition. In three books, separately bound; an anti-Copperhead political satire, done in the style of the Bible.
One does not need to be up on details of the Copperhead controversy to enjoy this as a variety of, yes, literature (if “enjoy” is quite the word); the anger and indeed the horror of the period are palpable here. By Richard Grant White, who disavowed authorship of the work.
Howes W368; Sabin 103445. Sewn; disbound from a nonce volume. All parts lacking wrappers. Rubber-stamps of the N.J. Historical Society on versos of title-pages. “Book third” creased lengthwise from folding. A very good set. (6022)

E.A. POE's Onetime Near-Fiancée Rebuts Griswold's
“Perverted Facts & Baseless Assumptions”
Whitman, Sarah Helen. Edgar Poe and his critics. New York: Rudd & Carleton, 1860. 12mo (19.5 cm; 7.5"). [8], [13]–81, [1], 6 (adv.) pp.
$150.00
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First edition of this early, famed defense of Edgar Allan Poe against Griswold and other critics, written by a poet who had very nearly married Poe.
BAL, VII, p. 146. Publisher's terra-cotta ribbed cloth, covers framed and modestly decorated in blind, front cover and spine with gilt-stamped title; binding cocked, a little rubbed, and spine gilt slightly darkened. Ex–social club library: 19th-century bookplate and call number on endpapers, title-page and two others rubber-stamped, back endpaper with pocket. No other markings. Pages age-toned and slightly embrittled. A good copy, with list of Rudd & Carleton's “NEW BOOKS” at the end. (26513)

Rewritten Mother Goose
on
Salmon
Pink Paper
Whitney, Adelaide
Dutton Train. Mother Goose for grown folks. A Christmas reading. New York: Rudd & Carleton, 1860. 8vo (19.7 cm, 7.75").
Frontis., iv, 111, [3], 6 (adv.) pp.
$275.00
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First edition of Mrs. Whitney's first published book. These verses were inspired by
the children's rhymes (which are quoted at the beginning of each grown-up version) and printed
on salmon pink paper; their underlying message about women's roles and domesticity may or
may not be satiric depending on which critic you believe. The frontispiece was engraved by
Andrew Filmer after a design by Hammatt Billings.
Binding:
Publisher's deeply waved terra-cotta cloth of Krupp's style Wav6, front cover
with gilt-stamped title and blind-stamped frame.
Binding: Krupp, Bookcloth in England and America, 1823--50,
p. 43. Binding as above, corners/edges slightly rubbed and spine pulled
at top; interior with an upper corner bumped.
A very attractive, clean copy.
(26714)
Popular
Fiction by
a Victorian
“Sporting” Novelist
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Reading
for Country-House
Mornings
Whyte-Melville, G[eorge] J[ohn]. Holmby House:
A tale of Old Northamptonshire. London: John W. Parker and Son, 1860. 8vo. 2
vols. I: Frontis., [3] ff., 325 pp. II: [2] ff., 344 pp., 3, [1] pp. (ads).
$85.00
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White Writer Black Dialect
Williams, John G. “De ole plantation.” Charleston, S.C.: Walker, Evans, & Cogswell Co., printers, 1895. 8vo (23 cm; 9"). xi, [1 (blank), 67, [1 (blank)] pp.
$350.00
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Scarce original edition of Williams's account in black dialect of social and religious life among rural blacks in Reconstruction and post-Reconstruction South Carolina. The
chapters include “An old-time Saturday night meeting,” “Brudder Coteny's sermons,” and “Glimpses of a vanished past: Two pictures of old plantation life.”
Not in Library Company, Afro-Americana (rev. ed.). Recent red cloth with black leather spine label. Library pressure-stamp (defunct library) in margin of one page. A delicate book, as one must expect given the place and date of publication. Old stab holes in inner margins. (26097)

“READ!”
Williamson, Will. Marvellous and disinterested patriotism of certain learned Whigs, illustrated in prose and rhyme, for the use of “the inhabitants of Edinburgh.” By Fair Play, and Have At Them. Edinburgh: Pr. by Duncan Stevenson & Co., 1820. 8vo. 32 pp.
$60.00


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Willis “Pitched His Tent” by the
Susquehanna River
Willis, Nathaniel Parker. A l'abri, or, The tent pitch'd. New York: Samuel Colman (pr. by Scatcherd & Adams), 1839. 12mo (19.2 cm, 7.6"). 172, 12 (adv.) pp.
$150.00
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First edition of this series of lighthearted letters written in
and about the valley of the Susquehanna, near Owego, New York. An author of
notable but ephemeral fame, Willis came from a talented family: His grandfather
published newspapers in both the north and south of the U.S., his father founded
the Youth's Companion (the first newspaper specifically for children),
his sister enjoyed much literary success under the pen name Fanny Fern, and
his brother Richard Stolls Willis was a music critic and composer known for
hymns including “It Came upon the Midnight Clear.”
Willis himself was the founder of the magazine that became the Home Journal,
and was celebrated in his day for his essays and travel writings as well as
several collections of his journalistic work. The Cambridge History of
American Literature calls him the “prince of magazinists,”
and remarks on “the evanescent sparkle and glancing brilliance”
of A L'abri, later known as Letters from under a Bridge. These
charming, witty essays touch on Willis's Yale education (and its lack of practical
application!); fishing; a dinner with Lady Blessington, Benjamin Disraeli,
Count D'Orsay, and Lord Durham; the possibility of local railroad construction
to connect the Hudson with Lake Erie; the relationship of American to British
literature, etc. Whatever the ostensible topics of the individual letters,
each touches in affectionate and amusing fashion on some aspect of life in
the Susquehanna region.
A publishing practice, demonstrated: Bound
in at the back of this volume are yellow printed paper wrappers for John
Smith's Letters, and the title-page and preface for Fireside Education
— both items published by Colman in the same year as the present work.
BAL 22752 (spine label in first state, cloth described
as “Brown S cloth “); American Imprints 59260; Fearing,
Check List of Books on Angling, Fishing, Fisheries, Fish-Culture, etc.,
135; Sabin 104504. On Willis, see: Cambridge History of American Literature
online. Publisher's brown cloth embossed with floret and dash pattern,
spine with printed paper label; corners rubbed, and spine cloth chipped with
paper label chipped and darkened. Front free endpaper with early pencilled
ownership inscription. Foxing throughout; occasional pencilled marginalia
and marks of emphasis. (25806)
Deluxe
Comedic Production,
Deluxe Binding
Wills, William Henry, ed. Poets' wit and humour. New
York: D. Appleton & Co., 1861. 8vo (22.8 cm, 9"). [8], 278, [1] pp.; illus.
$975.00
Click the images for enlargements.
First U.S. edition: “Illustrated with
one
hundred engravings from drawings by Charles Bennett and George
H. Thomas.” The work was edited by a friend and collaborator of Charles
Dickens; from Chaucer to Swift to “Saint Anthony's Sermon to the Fishes,”
Wills's comic selections are delightfully entertaining, and their wood-engraved
illustrations equally amusing.
Binding:
Publisher's deluxe black calf, covers and spine elaborately embossed and stamped
in blind and gilt with central vignette of a cherub dressed as a jester and
playing a lyre. All edges gilt.
The embossing plaque is signed with the designer's initials:
“R.D.”
This work is rarely found in the deluxe binding: The handsomely gilt-stamped publisher's
cloth is the norm.
NSTC 2W24418; Allibone 2762. Binding as above, showing
minor wear to extremities and front cover vignette, original silk bookmark
detached and laid in. Volume slightly shaken with text block starting to pull
away from spine; this is the kind of volume that wants to do that, and the
reader will want to “cradle” it in hand — that done, no
worries. Front fly-leaf with early pencilled gift inscription and with a Maine
druggist's small ticket. Mild to moderate foxing.
Both funny and decorative, in an American publisher's
binding that may fairly be called “DAZZLING.” (26748)
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PUBLISHERS' CLOTH GALLERY
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[Wolcot,
John]. A poetical epistle to a falling minister; also, an imitation of
the twelfth ode of Horace. By Peter Pindar. Dublin: P. Byrne, 1789. 8vo (20.7
cm, 8.1"). [2], 22 pp.
$200.00
First Irish printing, following the first London edition of the same year, of these two vitriolic satires directed against William Pitt. Pitt, as well as the king, was a fruitful subject for Pindar’s scathing attacks; here the poet defends the prince while describing Pitt and his allies in terms that border on the offensive.
ESTC T121646; NCBEL, II, 695. Removed from a nonce volume and now in a Mylar folder. One corner creased; first and last page lightly spotted, otherwise clean.
Wycherley,
William. The complete works...edited by Montague Summers. Soho:
Nonesuch Press, 1924. 4 vols. 8vo (26.5 cm, 10.4"). I: xiv, 269, [1 (blank)] pp.
II: [6], 323, [1 (blank)] pp. III: [6], 299, [1 (blank)] pp. IV: [6], 281, [1
(blank)] pp.
$250.00
Nonesuch Press limited-edition production of the only collected
edition of Wycherley. 975 sets were produced, this example being number 99 of
900 on mould-made paper with the Nonesuch watermark. Present here are Wycherley’s
letters and miscellaneous poems, as well as his cynical and often-licentious
plays.
Provenance: With laid-in invoice from the Davenant Bookshop in Oxford,
dated 1924.
McKittrick/Rendall/Dreyfus 17. Publisher’s quarter brown
buckram over tan paper- covered sides, spines with printed paper labels; gently
worn, two labels chipped, one volume with cloth of a darker shade and noticeable
rippling thereto. Two volumes with hinges slightly tender. Page edges untrimmed,
some signatures uncut. It should be remarked that, by some unexpected trick
of the camera, our righthand picture above makes this set look a bit smarter
than it is; that said, though it is rightly priced for its real condition
and still worthy of purchase.
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