The oversized, folding maps of France and the world featurehand-colored provincial and continental borders; two additional oversized, steel-engraved plates depict the gods atop Mt. Olympus and the seven wonders of the world.

Early editions of this work are uncommon.

•  Quérard, La France littéraire, 341.   Contemporary marbled paper–covered boards, spines with gilt-stamped leather title-labels; bindings faded and with some soiling/rubbing (most notably to spines). rubbed. Half-title of vol. I, pp. vii/viii of preface, and printed volume labels all bound in at back of vol. II; some signatures of vol. I unopened. Title-pages with traces of mostly effaced inscriptions; first and last few leaves of both volumes very lightly waterstained. One plate with two short tears from lower edge, not touching image. Solid and interesting.  (27048)

•  Modern quarter tan cloth over light blue paper-covered boards in the style of the early 19th-century, spine with printed paper label; uncut copy. Tear and chips at top margin of title-page, repaired some time ago. Title-page and several early leaves lightly age-toned and with some traces of soiling. Old ink ownership signature on title-page and p. 22, and just a bit of ink smudging at top margin of p. 23.  (24445)

Provenance:  Ownership inscription on front fly-leaf: “Ernst Rauschenbusch, Elberfeld, 18 Aug. 1792.” 19th-century signature on front free-endpaper of “A[ugust] Rauschenbusch.” Ernst was the grandfather of Walter Rauschenbusch, he of the social gospel movement; and August was Walter's father.

•  Wing (rev. ed.) T784; ESTC R38803.   Contemporary vellum over paste boards, vellum age-soiled. Internally very good.  (24655)

•  Brunet, V, 861; Sandys, II, 457; Schweiger, I, 332. Contemporary paper-covered boards, spine with inked paper label; binding scuffed and rubbed, spine with paper shelving label (inked through), title-label darkened. Front pastedown with 19th-century collector's bookplate, title-page verso with same collector's inked inscription. Light foxing. Final leaf with upper outer corner torn away, with loss of a few letters.

Like the first, this second edition of Vettori’s criticism of Cicero is in Latin with quotations and examples in Greek. It is self-described on the title-page as “quae corrupta, mutila, & praeposterè sita admiserat prima editio, haec 2. sedulò castigauit, suóque loco restituit.” The volume begins with the printer’s device on the title-page bearing the motto “Et fugit interea fugit irreparabile tempus,” and prints the text in a clear roman type accented with historiated and portrait woodcut initials and woodcut head-pieces. A handsome production.

Provenance: 17th-century near-calligraphic ownership inscriptions on title-page of the Jesuit College at Tudela, Spain; and of G.M. Desmarsall.

•  Adams V687. Recent deep walnut full calf old style, by Grace Bindings (signed in blind at inner area of rear cover, lower turn-in): Round spine with raised bands accented in gilt and with blind-tooled devices in compartments; oxblood leather label, gilt-lettered; fillets extending onto covers from each band to terminate in trefoils and covers framed in blind double fillets. Lacks one internal blank leaf (only). All edges marbled. A very good copy.

The work was issued in quarto and octavo format, both handsomely printed by Bensley.

Though an "odd vol," this is a pleasing book, done up in a typical German style of the era. Paper marbled in browns, black, and greens is used over boards, with slivers of leather at corners; a round spine bears gilt ruling and a cream-colored label with author, title, translator, and volume number. All edges are green and the whole is exceptionally well preserved.

•  Schweiger, Handbuch der classischen Bibliographie, II: 1206. Bound as above. Vol. 3 of 4. Some little foxing but almost no scuffing.

This first edition has a title-page in black and red with the printer’s device of the Amsterdam Elzevirs, “Ne Extra Oleas”—showing Minerva with owl and shield next to an olive tree—and it is printed in two columns in roman, italic, Greek, and Hebrew, ornamented with woodcut initials.

•  Willems, Les Elzevier, 1295. On the Vossius, father and son, see: Sandys, History of Classical Scholarship, 307–309 and 322–23. Contemporary English calf ruled in blind, bumped and abraded with a little loss on corners and edges; joints fully open at base and some chipping at head and foot of spine. Paper, ink-lettered spine label; inked call number and date on title-page. Pastedowns entirely gone and remnants of a manuscript used as binder’s waste visible at gutters, inside covers; due to the pastedowns’ removal, much of the binder’s construction can readily be examined here. A little light waterstaining and browning to first and last leaves (only). All edges red.

•  BAL 20798; Grolier, American 100, 82; Russo & Sullivan, Bibliographical Studies of Seven Authors of Crawfordsville,Indiana, 315–17; Wright, III, 5720.   Publisher's textured brown cloth with bevelled edges, spine with gilt-stamped title; binding slightly shaken, edges and extremities rubbed, sides with spots of discoloration. Hinges (inside) tender. Ex–social club library: 19th-century bookplate on front pastedown, title-page pressure-stamped, dedication page with inked numeral, back free endpaper with slip. Front free endpaper with faint early inscription, front fly-leaf with inked ownership inscription. Pages age-toned; a few leaves with light staining, most clean.  (26381)