Provenance:  Bookplate inside front wrapper of Lorraine & Horace Haynes.

•  Publisher's light-blue wrappers. Bookplate as above. Near fine.  (23669)

Provenance:  On front free endpaper in 18th-century hands: “del uso de Sor Maria Coleta,” lined through; below which, “del uso de Sor M[ari]a Juan Nep[umacen]a.

The printer has supplied two charming initials, an “I” and a “C.”

•  Medina, Mexico, 9208.   Publisher's limp vellum with remnants of ties. Occasional light foxing. Ownership signatures as noted.  (23966)

Provenance:  Flourishing old signatures of “J. Lowry” to pastedown and title-page.

This is printed in Latin with a Spanish translation in the facing column, sidenotes, and a woodcut initial. A search of NUC Pre-1956, RLIN, and OCLC revealed only two copies of the constitution in addition to the one given in Palau.

•  Palau 27260. On Benedict XIV, see New Catholic Encyclopedia, II, 278. Removed from a nonce volume. Paper generally clean and crisp with a few small spots of foxing and waterstaining. Paper closely trimmed by binder, shaving some sidenotes.

Chapman, along with several of her sisters, founded the Boston Female Anti-Slavery Society and was one of the staunchest supporters of the abolitionist cause, braving mob scenes and social condemnation to attend anti-slavery meetings, circulate petitions, organize the Anti-Slavery Fair, and publish the present annual. Not many solid, presentable copies of the Liberty Bell make their way to the market, and this one is especially notable for its having been inscribed by Chapman herself.

Provenance:  Front free endpaper with presentation inscription reading “Eunice Dorman [?] from her friend M.W. Chapman,” dated February, 1844 (“39 Summer St.”).

•  On Chapman, see: McHenry, Famous American Women, 68–69, and DAB, IV, 19.   Publisher’s brown cloth, front cover with gilt-stamped bell vignette, spine with gilt-stamped title and blind-stamped decorative bands; cloth worn along board edges and corners and chipped away at spine extremities, exposing underlying boards or support. Front cover and outer edge with a few small dents, back cover with line of light, unobtrusive staining. Pages lightly foxed, otherwise clean, with some corners dog-eared. A desirable copy. (21279)

Signed by the crown with a wooden stamp, “Yo el Rey.”

This copy sent to Santiago, Chile, and docketed there.

•  Removed from a nonce volume. Clean and untattered.  (25817)

The play's length is that of a "filler" piece in a jam-packed 19th-century theatrical night of three or four plays (or parts thereof) and other "entertainments"—or, the length of a school or home production. The style is distinctly amateur/naive. E.g., the euphonious exotic names are far from consistently Chinese and one character is "carried [from his 'chinese cottage'] to the ganges"; the author confuses exit and exeunt ("Exeunt Priest")—we wonder if this blithe vagueness as to geography and world cultures, and the seeming lack of even basic classical education, suggest a lively-minded and enthusiastically play-going but unrigorously schooled female writer?

Provenance: Gift inscription: "Horace W. Smith, Esq. to W.W., 1863." A pencil note says "By J. Howard Payne in his handwriting, W.W."—but the handwriting does not match that of Payne's MSS. at Yale and Brown Universities.

•  First leaf dust-soiled and now separated. Edges of some leaves chipped costing a few letters and, very rarely, an entire word; lost letters and words are easily supplied by context. Comfortable, for working with.

Provenance: Fore-edge painted with “Elizabeth Smith, 1680”; front fly-leaf with inscription recording the birth of William Rice in 1681 and with inscription of Charles Knowlton, dated 1738; fly-leaf verso with early inked genealogy describing the Smith-Rice-Knowlton descent.

Binding: Elaborate Restoration binding: black morocco framed in gilt semi-circle and strawberry rolls surrounding a broken panel design of red-inlaid scalloped corners decorated with floral-dotted volutes, containing a bouquet of tulips and other flowers with red and citron morocco inlays; the upper- and lowermost tulips each with a smaller gilt-stamped flower and leaf tool inside, spaces filled with small flowers and dots. Spine gilt extra using cover rolls and additional floral decorations, with two decorated compartments of red morocco; board edges and turn-ins with gilt rolls. The tools used do not appear to be an exact match to any binder represented in Bennett, Nixon, or Maggs: Bookbinding in the British Isles, although the tulip with superimposed small flower is reminiscent of the binder Nixon identifies as the Small Carnation Binder. All edges gilt. Fore-edge painted with name as above, surrounded by hand-painted floral decorations.

•  BCP: Wing (rev. ed.) B3659B. Not in ESTC; not in Griffiths (see 1680/5 for a very close example). Bible: ESTC R215858; Wing (rev. ed.) B2308A; Herbert 758. Psalms: Not in ESTC, not in Wing.   Binding as above, front joint cracked (sewing holding) with corners/edges rubbed; spine leather with small cracks and head chipped, small area darkened. BCP lacking A1, either a blank or a licence and much more likely an initial blank; title-page repaired at one corner. Elsewhere, one leaf with tear from outer margin, extending across one column without loss; page edges with occasional small smudges from fore-edge decorations; some faint spotting and foxing. Now housed in a café au lait morocco slipcase mistakenly giving 1630 as year of publication, based on misleading print impression on title-page. A good and interesting book apart from its extraordinary binding, charming fore-edge treatment, and multi-generational provenance.  (25925)

Provenance: Elegant old lozenge-shaped ink-stamp on title-pages: “John Brymer Heir-Loom.”

The Constitutions and Canons Ecclesiastical was an assemblage of rulings given equal force with the canon law, although the rulings themselves were not based on canon law.

•  STC (rev. ed.) 10076; ESTC S101555.   Removed from a nonce volume. A very nice, clean copy with an array of marginal markings — Xs, asterisks, “vid.,” and the odd hand-with-pointing-finger. (21226)

This copy includes the half-title, but has been well read and shows the signs thereof!

•  BAL 11139; Howes K184; Sabin 37991; Wright, I, 1583.   Contemporary half sheep and marbled paper–covered sides, spine with gilt-stamped title and author; leather worn/rubbed, especially at head of spine, but text firm in its binding. Front pastedown with Philadelphia bookbinder's ticket of B. Kohler (printed on blue paper). Ex–social club library: 19th-century inked call numerals on endpaper and half-title overlaid with paper labels, title-page pressure-stamped, no other markings. Pages age-toned, with intermittent stains and short edge tears; many leaves with edge repairs done some time ago, often with loss of a few letters, generally not affecting sense. Two final pages of advertisements lacking; one leaf with upper outer portion torn away, costing parts of 12 lines; two leaves with lower portions torn away, with loss of about 14 lines to each. Last leaves with waterstaining to outer portions. Clearly, as noted above, the club library that owned this had avid clientele for it; and that they were as determined to “keep it going” as the repairs show, even after it had been damaged, is interesting!  (26386)