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BASQUE
Mariology for the New World
Luzuriaga, Juan de. Paranympho celeste[.] Historia de la mystica zarza, milagrosa imagen, y prodigioso santuario de Aranzazu de religiosos observantes de n. seraphico padre San Francisco en la provincia de Guypuzcoa. Mexico: Por los herederos de la viuda de Bernardo Calderon, 1686. Folio (27 cm; 10.75"). 3 pts. in 1 vol. [17 of 18] ff., 114, 96, 112 pp., [8] ff., lacking the plate (as usual), and a leaf in the preliminaries.
$6000.00
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First edition of Luzuriaga's history of the Virgin and Sanctuary of Aranzazu in the Basque provinces. He begins his account with the state of religion in the area prior to the Virgin's 1469 apparition and then proceeds to recount the appearance with events leading up to and immediately following it. We learn of the building of the sanctuary, of changes in religious practice in Cantabria during the ensuing centuries, and of the role that the Virgin plays in the daily life of the region.
It is extremely noteworthy that this thick and significant history of this Cantabrian apparition was written and published in Mexico and not in Spain. After years of service in Cantabria, his native region, in 1680 the author was transferred to New Spain to serve as the Comisario General of the Franciscan Order in New Spain and the Philippines, and it was in Mexico City that he composed his massive and important work. He then also had it printed there, in spite of the fact that he retained contacts in Spain where it presumably would have had a greater natural audience, and in spite of the fact that it was, for its day, a very large project for a Mexican press to be offered. Or for one to take on! Additionally, it is
printed on exceptionally thick paper.
Provenance: Bookplates of Luis and Clotilde Montt (Chilean collectors) and of the John Carter Brown Library (deaccessioned).
Medina, Mexico, 1376; Palau 144367; Beristain, II, 198; Leclerc 1190. On Luzuriaga, see: Archivo biográfico de España, Portugal, e Iberoamérica, fiche 534, frames 77–81. 19th-century quarter brown sheep with black leather spine labels lettered in gilt; black and white marbled paper sides. Without the plate and one leaf in the preliminaries; last three leaves of the index damaged with loss in the foremargins, costing a few words and letters; title-page soiled and with several old tears very well-repaired of old; stains occasionally, never bad ones. Withal a rather good copy of a
very uncommon work of New World Mariology. (26392)

Stunning Illuminated & Calligraphed Manuscript
A Zacatecas Administrator of BASQUE Background Claims His Arms!
Lovely Spanish Morocco Binding — Interesting Mexican
Gilt Slipcase
Unda Aurtenechea Lauayen Gamboa y Arragoeta, Juan Antonio de. Manuscript, “Despacho confirmatorio de los blasones de armas, nobleza y genealogia, enlaces, entroques, meritos y servicios de Don Juan Antonio de Unda Aurtenechea Lauayen Gamboa y Arragoeta &ca., Administrador de Alcabalas y Rentas Reales de la villa de San Juan Bautista de Llerena, y minas de Sombrerete.” In Spanish, on vellum. Madrid: 1796. Small folio. [46] ff.
[SOLD]
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Don Juan Antonio was a Basque, native of “La Ante-Iglesia de Ugarte de Mujica,” and held the important and very powerful post of Royal Administrator of the sales tax and royal income in the wealthy Zacatecas mines of Sombrerete and the nearby town of San Juan Bautista de Llerena. He had previously sought to have his nobility confirmed but the documentation he originally offered proved insufficient; and a royal decree was handed down telling him to either provide sufficiently more proof or withdraw his claim. Here he provides his additional proofs (along with the original ones) and is granted his coat of arms.
The manuscript is exquisitely calligraphed
entirely on fine quality vellum in black ink with some words and phrases in red, gold, blue, and sometimes combinations of the same all in one word. Each page of text is indited within a red triple-ruled frame which is itself enclosed in another red triple-ruled frame; large, swirled blue corner devices “connect” the ruled elements. Elegantly ornamented and illuminated
“subtitles,” all different, introduce sections of the argument, and there are
14 large historiated and illuminated initials (1.5" x 1.5"), each offering as background a landscape–architectural image accomplished in brown, red, blue, green and cream colors.
Don Juan Antonio's new coat of arms is given a full page within a gold border, presented as hovering above the “earth” and with the blue sky above: It is accomplished in red, blue, yellow, green, black, and rosy pink, as well as gold and (appropriately!) silver. Another illuminated and illustrated full page shows the realia of the chronicler and king of arms in blue, rose, yellow, green, and white; the lion has very long eyelashes.
There are additionally four other family coats of arms skillfully rendered in color and illuminated here, these being the coats of arms of ancestors whose purity of blood is used to prove Don Juan Antonio's. The manuscript ends with the granting of the arms and a full explanation of each of their elements and the significance of their colors.
Strikingly, and on vellum as fine as that of the other pages, this offers a fold-out genealogical tree that goes back no less than 35 “branches” on the paternal side and 31 on the maternal.
Binding: Contemporary full crimson goat, round spine with “spine compartments” defined by triple gilt fillets; each compartment with the central device of an urn. Covers with a gilt double-fillet outer border and a gilt floral-roll border within; turn-ins with a gilt roll of a rope design. Each full-page illumination and all coats of arms with salmon-colored silk guards, beautifully intact. All edges gilt.
Excellent condition on all points. Interestingly, this Spanish document in a Spanish morocco binding, recording the social apotheosis of a Basque whose fortunes grew via Mexican connections, is housed in a somewhat tattered and slightly broken contemporary pull-off-the-top
gilt calf slipcase of Mexican workmanship. (24671)
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